“youtube”

Grouped under the ARG, Alternate Reality Gaming, label for lack of a better term. I think all 3 exemplify something new, unsettling, and fascinating that I don’t yet have a word for.

1. Little Brother^ELZR, now available as atoms and bits, has a glorious climax of hundreds of vampires invading San Francisco’s civic center, messing with general paranoia.
   
   
   > RULES FOR VAMPMOB
   
   

   > You are part of a clan of daylight vampires. You’ve discovered the secret of surviving the terrible light of the sun. The secret was cannibalism: the blood of another vampire can give you the strength to walk among the living.

   > You need to bite as many other vampires as you can in order to stay in the game. If one minute goes by without a bite, you’re out. Once you’re out, turn your shirt around backwards and go referee—watch two or three vamps to see if they’re getting their bites in.
   
   

   > To bite another vamp, you have to say “Bite!” five times before they do. So you run up to a vamp, make eye-contact, and shout “bite bite bite bite bite!” and if you get it out before she does, you live and she crumbles to dust.

   > You and the other vamps you meet at your rendezvous are a team. They are your clan. You derive no nourishment from their blood.
   
   

   > You can “go invisible” by standing still and folding your arms over your chest. You can’t bite invisible vamps, and they can’t bite you.

   > This game is played on the honor system. The point is to have fun and get your vamp on, not to win.
   
   

   > There is an end-game that will be passed by word of mouth as winners begin to emerge. The game-masters will start a whisper campaign among the players when the time comes. Spread the whisper as quickly as you can and watch for the sign.

   > M1k3y
   
   > bite bite bite bite bite!
   


2. Freezing Grand Central, a most elegant improv piece (via Alan).
   
   


3. That great Free Hugs campaign a while ago:
   
   


4. Got more samples along these lines? I wanted to quote something from SFZero but I’m still too new to it…
   

As David, to whom I own the Big Dog acquaintance, said: its movements are so fluid, so eerily natural, biological, one just knows the days of the flesh are counted. “It was nice being human.”

I owe Bill for introducing me to Here comes another bubble, a fantastic parody on bay area culture that most of you will probably have seen by now but that I can’t just not put here because it’s pure genius.

The most interesting part for me was to discover how most every reference was familiar. At a recent Stanford conference on legal futures (ah, I love the bay area!) there was talk of how national newspapers created the national conscience needed for nations to emerge and how something similar may be happening with the web. This video definitely felt like that to me—somehow or other, thousand of miles away in Mexico’s center and having never visited it before, bay area culture became my culture.

Oh, and btw, that glib, charlatanish, bubble milking attitude parodied in the video was one big thing that kept me away from the bay area for a long time. While I have stumbled on it once in a while, it’s easy enough to ignore and often comes not out of guile but out of Sturgeon’s law and just how damn hard it is to predict in advance what will end up being important.

A Spanish version of Mika’s Billy Brown. Apologies beforehand, I just have this hobby of translating songs—if the mood strikes one day I may even hurt your ears with my French version of Gloria Trevi’s Hoy me ire de casa

Update 15/January/2007:

SeeqPod (YubNub’s “seeq“) crawls the web for mp3’s and streams (and queues) them for you right along search results. “Playable search” they call it, hinting they’ll use the word in expansive, unexpected ways. It’s kind of how you can now play YouTube videos within Google results. The instant gratification level of it all is sky-high. It’s long due and as clever a copyright hack as I’ve seen (like how music websites link to YouTube videos to play music but so much better). A big, dark underweb of mp3s has always been there, it’s just never been this discoverable, this sampleable.

I learned about it, btw, through one of the classiest, most elegant, best targeted spams ever. The SeeqPod team sent me a (probably automatic) email recommending me to try searching for Rufus Wrainwright through their search engine. Since their spam was so unusually well-written and targeted (I had written about Rufus Wainwright before), I tried it. Maybe in these days were spam filters are so effective spammers will have to resource to being useful and wanted. We can dream.

Update 11/Dec/07

Project Playlist (YubNub’s “projp“) is a very similar website, though SeeqPod’s interface is much better. One interesting feature of Project Playlist is that you can search other people’s playlists too, which is a great way to find similar music. SeeqPod, on the other hand, has the interesting “discover” feature, which recommends similar music. (Via Chepe.)

I first saw David Elsewhere in Kinky’s Sister Twisted video:

That multimedia brings subjects “alive” is a painfully false cliche these days. For me at least. Maybe I’m just disappointed by the yawning gap between promise and (often gratuitous) delivery. Maybe I’m still too word-centric.

Thus my surprise with this animation of that most famous embroidered account of the 1066 Norman invasion of England (→), the Bayeaux Tapestry^WP. It’s so simple and yet so stunningly effective. (Though of course I have a sweet spot for animated tapestries…)

I can’t watch it without wondering what its weavers at the turn of the first millennium would say if they could look at their creations now.

(via Very Short List, which neatly sums up the work with a Venn diagram—as is their intriguing custom—, )

...and yet you’ve gotta grant it to this stop-motion action-figure video: it’s pure comic genius. (2.3 million views!; 1,814 comments; 15,417 favorites; 6,648 ratings)

This was originally appended to the original lonelygirl article some weeks ago. I’m moving it to the blog strip^ELZR itself because I doubt anyone noticed it.

It’s frighteningly fast how the avant-garde becomes the status quo. Not long ago Google was an underdog. It is now unarguably a behemoth. (“Google is the weather.”^EEM) Two months ago it payed 1.65 billion for YouTube, the new media underdog. Now lonelygirl15, YouTube’s first star, has made the cover of this month’s Wired. And her article, The Secret World of Lonelygirl, is a fascinating behind-the-scenes look at how it all started. From Jessica Rose’s misgivings about the shady project, to her browseresque beauty, to lonelygirl’s origin as the alter ego of a commune-raised, bullied boy.

Jessica Rose was suspicious and frankly a little pissed off. She had come to this organic-tea shop to discuss what she thought was a feature film called Children of Anchor Cove. Now Beckett and Flinders had made her sign a nondisclosure agreement and, clearly pleased with themselves, told her that they wanted her to play the lead in what they billed as the future of entertainment. For free. It was an Internet-something-or-other –- she wasn’t listening. They were also going to “hire” another actor to play a character named Daniel. It sounded a lot like porn.

It was exactly what her acting coaches at Universal Studios’ film program had warned her against: unkempt producer-types hawking shady deals.

When he got to college, Flinders [cocreator of lonelygirl] dreamed up an alter ego—an awkward, geeky homeschooled girl. As a camp counselor, he told fireside tales about her experiences. He wrote short stories about her, and when he tried to make it as a writer in Hollywood, he put her in his screenplays.

There’s something about Jessica Rose that the webcam loves. Her distractingly large eyebrows and small round face are bent and stretched by the fish-eye lens into a morsel of beauty that fits perfectly in a pop-up window. That’s not to say she isn’t pretty off camera—she is—but every step she takes closer to the cam multiplies and enhances her looks. It’s a face made for the browser screen.

[Miles] Beckett was at home trying to decompress. He had been working as an urgent care doctor to pay the rent and was exhausted. Between filming and editing the Lonelygirl15 series and dealing with severed fingers and dog bites at the hospital, he wasn’t sleeping much. It didn’t help that Goodfried called at 2 am.

”Miles, it’s time you quit being a doctor,” he said. “We just passed 200,000 views.”

Within 48 hours, the video had half a million views. Goodfried knew that to be considered a success, a cable television show needs to get between 300,000 and 500,000 viewers. “My Parents Suck …” had vaulted into that territory.

Each episode needs to be short, no more than three minutes. ”You wouldn’t show a sitcom at a movie theater, right?” Beckett says. “You make movies for the big screen, sitcoms for TV, and something else entirely for the Internet. That’s the lesson of Lonelygirl15.”

This Web series not only looks different, it’s made differently than other filmed entertainment. As Bree’s universe expands, each new character will have his or her own vlog. Flinders can’t write and film them all, so new writer-directors have been hired and paired with actors playing the new characters. Unlike television, where writers sit in a room and come up with a single script, the Lonelygirl15 team comes up with a general plotline and then sends its writer-directors out to produce independent but interconnected videos. All the characters, in essence, have their own show.

Rose leaps onto the bed and jumps up and down. She makes faces at the camera and waves her hands, knocking askew the picture of the rose hanging on the wall. Beckett got it at a 99-cent store because it was cheap and looked like something a teenage girl would buy. Nobody seems to have noticed the faint pink quotation printed beneath the flower: ”It is by believing in roses that one brings them to bloom.”