“web”
142 posts under this tag.
2 days ago I had a major breakthrough in Domburi’s interface. I had been racking my brain for several days for a simple, elegant way to provide all the new functionality I had dreamt for it, but the standards I’d set made the task daunting:
Simple and easy to understand
Building (or at least not interfering) upon earlier knowledge
We’ve been using (web) GUIs for decades now, patterns have emerged. To waste them a silly thing would be. Right-click contextual menu, buttons, selection methods, drag & drop, and general link behavior (from one-click-activation to middle clicking on a link to open it in a new tab) are useful patterns we learn early and should be respected.
Consistency
I wanted to have the same interface for thumbnails and full-size images, just like Imagery works now (with almost the same toolbar for both cases).
Minimally intrusive (as in hidden)
I’m obsessive with claiming the precious few screen real state I’m able to and profoundly detest what Edward Tufte once called “administrative debris.” The goal is to see at a glance as many images (and nothing more!) as it is usefully possible.
Even onhover interfaces must be extremely discreet, not only for conceptual clarity, but because rendering times can make for a jarring experience.
Visual
On the other hand, even if keyboard shortcuts and other tricks & gimmicks are more efficient, I believe it’s crucial for users to be able to get a visual overview of their options.
Modeless
Modes WP can be useful and uncannily efficient—I love Vim—but they take a huge cognitive load to understand and use, and many, many hours of practice for them to become second-nature. They’re prone to frustrating mode errorsWP too.
Textual
Text is always a good thing, text and icons can sometimes be an improvement, but icons alone I usually find confusing and useful only for the most trivial of cases. The big problem with text of course is all the space it demands.
I dabbled for a while with tool palettes like those of Adobe Photoshop but in the end sweared off modes of any kind, even graphic ones.
I tried expanding the weird text-toolbar I currently use in Imagery but it proved too constraining.
Jensen Haris’s Office User Interface Blog sent me reeling into the possibilities of ribbons and contextual tabs (GUI innovations in upcoming Office 2007), but though interesting and definitely appropriate sometimes, they can be brutal overkill for such a simple application as Domburi.
In the end, it was clear to me that what was needed was a contextual menu of some sort and a way to activate it graphically (since I wasn’t willing to break the right-click, and other keyboard/mouse combos reeked of inelegance).
I finally found my solution in a little known interface innovation from Flickr (who introduced it only recently in a May 16, 2006 redesign).
They call it a “person menu” but it’s not the menu itself what interests me, it’s the way it’s activated: you hover over someone’s (otherwise undefiled!) buddy image and this obvious sidebutton appears; you click on it and your options to manipulate the image are presented.
This is a natural evolution of the pulldown button ( ), of course, but it allows for a revolutionary array of possibilities. I’ve been playing with the idea for 2 days now and am ready to nominate the onhover sidebutton as one of this decade’s contributions to our shared GUI alphabet: a visual, yet non intrusive, way to activate a context-menu. I’m using it everywhere in Domburi now (the idiom is evolving some impressive refinements!) and it has simplified things further than I thought possible. In the prophetic words of Jeff Han: “the interface just disappears.”
Exciting times!
It beats me. “My son is always checking out his Yahoo!” So what? Who’s the target audience of this ad? Angry-faced mustachioed dads? Have children become parents’ rolemodels already?
Back when I was a serious download freak, always looking for that little app that’d make it all right, Nonags was one of my favorite haunts. They listed only freeware and well-behaved, no-nags shareware. The design was accordingly simple and unobtrusive (though quirky). How weird then that now when trying to download something you’re taken to one of those infamous “Your-download-should-start-automatically” pages, full of Google ads that don’t stand a chance of being remotely relevant (relevant to what? the “invitation” to join Nonag plus?). Worst, the cheapest, lowliest possible kind of popup (party poker! your computer is at risk!) creeps underhandedly (that is, hides beneath your current window).
It would be ironic, were it not sad.
Just good fun writing. On the singularity to boot. To be read with that eemadge from Moravec I always quote in such settings.
Perhaps the week’s biggest and scariest robot news, though—certainly for journalists—was the robot reporters story.
Thomson Financial has been using automatic computer programs to generate news stories for almost six months. The machines can spit out wire-ready copy based on financial reports a mere 0.3 seconds after receiving the data. Thomson management likes its reporter robots so much that it has decided to expand the fleet.
Flesh-and-blood journalists were quick to decry the move. “Those editors who can’t wait to install computers at the expense of journalists should beware,” warned Mark Tran in the Guardian article “Robots write the news.”
“Look at what happened in Space Odyssey, when HAL took over the spaceship. Or worse still, think of Terminator 3, when the Skynet network of computers unleashes nuclear war.”
Tran was joking. Well, half joking. But his joke was also a poignant plea. A robot may be able to turn a share report into three pithy paragraphs in less than a second, but it can’t go and watch movies about other robots and turn that into a warning for the world.
Because it can’t live, it can’t think. Or so we think. Tran’s conclusion isn’t very reassuring. “We endangered financial journalists could prolong our lives in the short term by slapping more adjectives into our copy,” he suggests, “but the writing does seem to be on the wall, as far as earnings reports go.” If all that stands between a writer’s job and redundancy is a few adjectives, well, that’s plain scary.
”Scary”—yes, nice adjective. It’s got human emotion, empathy, experience. Good, we’re still on the right side of the Turing Test the side the robots can’t get to.
Or can they? I can hear the laments already, with 20/20 hindsight. First they came for the bomb disposal crews, and we said nothing. Then they were spot-welding and spray-painting on the auto plant assembly lines, and still we said nothing. Only now that they’ve come for the journalism jobs do the journalists scream. But it’s too late.
Mistrust and paranoia have set in. How do we know Mark Tran isn’t already a robot? “Tran”—does that even sound like a human name?
It’s a losing battle. These days, it seems, there are fewer and fewer jobs a robot couldn’t do. Even automatic translation, which some said only humans could do properly (because meaning requires context and context requires lived experience) is coming on by leaps and bounds, pulling jobs out from under the feet of the lower-level human translators.
Heh, that “first, then, now” schtick never grows old. Here’s another instance of it.
That last paragraph of the quote was included simply for Chepe & Andrea, the two wonderful translators-to-be in my life, to read and grok. It’s not that I don’t support such a lovely liberal-arts profession (I’ve surely considered it for myself in several occasions). I simply believe it’s going to be among the next professions to be submergedEE by AI, and seafaring success thereon will require a different skillset and attitude.
The black background of this website was dropped because I realized recently that some relatively old displays can be configured, by tweaking brightness and contrast, to better display black text on a white background (and it makes sense to do so, most text comes like that) but doing so would turn black elzr.com into garbled chicken scratches.
That was utterly unacceptable.
Two people had complained of such problems before but it was only until I experienced how bad and frustrating it was that I realized it really had to change.
I loved blackEE: it was distinctive, easier on the eyes, allowed for exploration of an entirely different color scheme, and it looked absolutely gorgeous (luscious) on my Dell Ultrasharp.
But I must think of who’s reading my website.
OK, pardon the profanity. I had been following the Net “Neutrality” argument from a perplexed distance for some time (as I’ve chronicled about before) but this month’s Scientific American editorial on the subject and its disgusting rhetoric is just too damn much. Perverting George Orwell’s masterpiece on the dangers of imposing equality, Animal FarmWP, so as to defend that very same imposition is off-limits, it’s too low, it’s too devious. It’s repulsive. Yuck.
There are several more gems sprinkled throughout. Here’s another one:
A system for prioritizing data traffic might well be necessary someday, yet one might hope that it would be based on the needs of the transmissions rather than the deal making and caprices of the cable owners.
Of course, forget the silly “caprices” and blind moneylust of the pesky owners of the cable themselves. Who could know better about the cable business and its needs than casual passersby like ourselves?
To respond in kind, I propose a different appropriation of George Orwell, this one from his other anti-totalitarianism classic, 1984WP:
WAR IS PEACE
FREEDOM IS SLAVERY
IGNORANCE IS STRENGTH
NET INTERVENTION IS NET NEUTRALITY
One good thing came out of that editorial though, I found out about Hands Off The Internet, a sane organization against government intervention on the net. Pay them a visit.
Imagery’s multilingual feedbackELZR has been the best, most rewarding part of it all. I was feeling down with Domburi the other day (and with how hard it is to get the interface just right), but then a new review came in and things are bright and beaming again:
..No es de extrañar por lo tanto que vayan naciendo productos que le intentan sacar ventaja [a Google Images], como el IMAGERY del mejicano Eliazar, un tipo que hace cosas de guru, que los guruses no hacen aun.
..It isn’t strange then that many products are being born that try to improve Google Images, like IMAGERY from the mexican Eliazar, a guy who does guru stuff, gurus don’t make yet.
Annzah’s was the first blog I read, back before there was a word for blogs themselves. A belle with a knack for writing, drinking, geeking, musicking, and partying—all with flair—, she used to blog her life at glitterkitty.net/anna: living and growing up in Sweden, her many girlfriends (wives, she called them), her parents (she’s a single child), her extended family, going through one strange boyfriend, moving to London, reading, cooking, clubbing, living with the second (webdesigner!) boyfriend, working at a bar and a clotheshop, getting hurt—falls, car-accidents (hates cars), whatnot—a surprising amount of times, and starting an English major. Her candid blog got her intermittently into trouble and after many false starts she finally changed to LiveJournal, where she blogs very different stuff, far too far and in between.
She was somewhat obsessed with SuedeWP (whom I know thanks to her) and used many of their songtitles for her posts. Today Suede’s Saturday NightMP3 played randomly and I missed her suddenly, with a vengeance. “Having a public voice can make you a non-stranger, even to people you have never met.” This is a post to her.
Oh, whatever makes her happy on a Saturday night
Oh, whatever makes her happy, whatever makes it alright
We’ll go to peepshows and freak shows
We’ll go to discos, casinos
We’ll go where people go and let go
Oh, whatever makes her happy on a saturday night…
Suede, Saturday NightMP3)
Blogs are many different things to all of us, but sometimes, if the stars align just right, they can be empathic enzymes of sorts. They have been.
Man’s achievements rest upon the use of [short] symbols.
Alfred Korzybski
Wikipedia has become such a taken-for-granted, basic building-block (on the web and beyond) that I’ve taken a special hatred for the unwieldy, clumsy “Wikipedia article” epithet and similar unhappy permutations. I need more of the short sweetness English is known for: “email”, “web”, “net”, “blog”, “post”, “podcast”, “inbox”, or “feed”. Language is the ultimate interface (to steal an ALA title) and shortness does make a difference.

English GMail’s Sidebar

Spanish GMail’s Sidebar
I tried “article” and “wiki-article” but both are hopelessly general. Then I thought of being grammatically incorrect and use wikipedia for articles themselves—similar to the way we use email for the email address, the actual message, and the act of sending it: “email me an email at my email”—but it just won’t do. It doesn’t feel right. Wikipedia is so huge that the brutal metonymyWP feels jarring. Port-manteausWP were tried, but neither wikipedicle nor wicle struck any fancy.
The only path that proved fruitful was twisted back-formation. Wikipedia comes, of course, from encyclopedia, which in turn comes from the Greek phrase enkuklios paideia, often translated as “general education.” Paideia is a nice, short Greek word that means education and that is itself a derivation of pais, child. It’s perfect (with a slight respelling).
I propose we call a Wikipedia article a pedia. It’s short, has a nice ring to it, has meaning (“a pedia is a document for learning”), is memorable, and has a semantic link with Wikipedia (the uninitiated might think it a contraction and that’d be okay too). With even the pettiest pedia gradually refining into a massive, referenced survey (take the optimistic leap with me for the sake of argument), wouldn’t it be beautiful and inspiring if we could whisperingly call them “documents-for-learning”?
Did you know “thruthiness” has a pedia?
The contrast’s interesting ain’t it? Joel On Software’s Joel Spolsky sees Dell’s homepage as a textbook case of heavy-handed, rapacious marketing. A List Apart’s Nick Usborne, on the other hand, sees it as one of computer industry’s best examples of self-effacing design, respectful of its users and the now-fashionable right to self-identificationWP.
Dell doesn’t think like their users think. When you go to their website, the first question they ask is what kind of buyer you are: home, small business, large business, etc. I don’t know what I am! I guess I’m a small business, but home systems are usually cheaper, and I usually like to buy top of the line PCs, so maybe I need the Big Business section. This distinction is completely lost on me.
I want a PC. What difference does it make whether I’m a home buyer or a small business buyer? I suspect that they are asking me this because they want to charge businesses more than homes, and large businesses even more. To defeat their system, I choose “home.”
Dell has what is probably the most visitor-centric site of all the computer manufacturers. For years now they have built a homepage that holds back on saying, “Look at us, we’re great.” Instead they devote a significant part of the page to an area where visitor can self-select.
The design and text on the page immediately recognizes that some people are looking for home computers, while others are looking for networks for local government offices. Both audiences and more are addressed. The Dell.com page says, in effect, “Yes, you’re
in the right place. Yes, we can help you. Yes, self-identify and please click here so we can help you find exactly what you need.”
|