“surprises”

A vast, motley mishmash humanity is.

Speaking of prodigies, Michael Dell is back at the helm (well, he never really left) of his (rather relatively) ailing company^E. That’s exciting news, I remember reading Dell’s semi-autobiographical book, Direct From Dell^AM, particularly the first and some of the second chapter, and thinking of, well, Mozart^WP—here was a marketing prodigy, a gifted boy who could play the market like Mozart could play the piano.

Three good, non-obvious answers:

• That we participate in it.

  Who are these people? Seriously, who actually sits down after a long day at work and says, I’m not going to watch Lost tonight. I’m going to turn on my computer and make a movie starring my pet iguana? I’m going to mash up 50 Cent’s vocals with Queen’s instrumentals? I’m going to blog about my state of mind or the state of the nation or the steak-frites at the new bistro down the street? Who has that time and that energy and that passion?

  Lev Grossman, Time’s Person of the Year: You

  You can use words like ‘platform’ and ‘web application’ and ‘Ajax’ and ‘desktop functionality’ but really in essence the most amazing thing about the web today is the concept of sharing is becoming increasingly OK. We are slowly coming out of our cocoons, testing the waters and sharing out things that we know, and things that we love or hate.

  Gagan, You call it Web 2.0

• That we can make (some) sense of it at all.

  People understand a graph composed of tree-like documents (HTML) related by links (URLs). In some ways I find this the most surprising of all. For years we assumed people had trouble with trees, never mind graphs. And suddenly hyperlinks come along, and as long as there is a Back button, they work.

  Adam Bosworth, Learning from THE WEB

  I would argue that the “back” button is one of the two or three defining constraints of interaction design. I’d even go so far to say that it’s more significant than the hyperlink.

  “Back” doesn’t just mean “go backwards”: it stands for the entire paradigm of user-controlled navigation, arbitrary hyperlinking, and back-as-undo that everyone has come to expect from the behavior of software.. The back button is a contract web design has with our users.

  Andrew, AJAX Summit (hosted by O’Reilly & Adaptive Path)

• That it is a universal namespace.

  The most important thing about the Web is that it is a universal namespace, something that has not been available before, not at this level of precision.

  Benny Gustavsson, On the Semantic Web language^PDF

My winners, so far this year, of the Keep the Web Weird prize.

• Susan Stepney’s Homepage. Swim around her factoids or her myriad book reviews—sci-fi and non-fiction being the two categories. And boy does she read good nonfiction. Check her rated non-fiction index for a good glimpse of it and notice how her book reviews tend to grow organically into full-fledged bibliographies [example].

• Luis Pabon’s Entropía blog (in Spanish). If you can only read one thing from him, let it be El hombre que hablaba al reves (The man who spoke the wrong way round)—it’s positively brilliant. Positively.

  There’s also a letter to his future self; oblique strategies; an elegant fable: El pez que se bebió el océano (The fish who drank the ocean); obscure calendar erudition: La abreviatura de los miércoles (Wednesday’s abbreviation); original music; a scanning of a (terrifying) dictation from a Spain under Franco: Libertad Dictada (Dictated Freedom); a reflection sparked by GTD^WP: Conocerse a sí mismo (Knowing Oneself); an absolutely amateur, yet interesting, physics experiment: Acústica de fluidos; and a beautiful, infinite poem. Even his profile is writing of the highest order.

  He has infodesign talent to spare, as he showed with his proposal in my calendar challenge, and he can sometimes use it for most amusing purposes. Like these two graphs here, perfectly illustrating why sometimes to go forward it’s better to get some distance first:

  
  

  Most intriguing is when he combines this graphic inclination with his (prodigious) verbosity to create amazing, longwinded plays with the ridiculous (think of that famous bathroom-tissue-distribution-units passage from Snow Crash^WP). There’s for instance the Messiah Project, his compendium of priorization strategies, and his “simple graphical and mathematical model for the analysis and assessment of situations according to a person’s capacity, responsibility, and will.”

  “Luis… estás como un cencerro!!!” says a legendary comment. Correctly.

Is an essay posted by Steve Jobs two days ago [link] proposing to do away with DRM protection in digital songs. It’s a brilliant, persuasive pamphlet and easily one of the most surprising recent turns in Intellectual Property’s (IP) unfolding evolution—and with IP soon becoming the only property that matters, we are talking about a civilization-defining process here.

Now of course Jobs’s letter is self-serving, as The Economist clearly explains, but is he right? Is a DRM-free world better? With thousands of pirated songs in my library I could hardly make for a devil’s advocate now but I still wonder. If we renounce technological solutions, how will we reward creators? Will policing and empathy be enough? (Don’t be so quick to answer, we will all be creators soon.)

A technological arms-race between pirates and anti-pirates was bound to end in senseless wastage, but that doesn’t mean new structures are not hardly needed—economical structures (based on trade) not political ones (based on force)—if IP will prove ultimately viable.

Let’s see what we can think of—the problem just got a whole more interesting.

Sergio (MdC), one of my best friends, went last sixmonth to Ciudad Juarez^WP for a paid internship he got through his school. He went there with a schoolmate that went for the same reason. This roommate, I learned a couple of days ago, turns out to have Gael Garcia^WP as a cousin. Gael Garcia dated (dates?) Natalie Portman^WP So You → Me → Sergio → Roommate → Gael Garcia → Natalie Portman makes for five degrees of separation. Which is a deep, marvelous fact about the world that you should ponder at length.

(Five degrees is only an upper bound^WP. You, dear reader, could be even closer to Natalie—if so, please detail in the comments. You could even be Natalie herself—if so, my cell number’s on the left. Thanks!)

Been obsessed with this six-megapixels of Santorini^WP all day. Obsessed like one obsesses about a dream.

A better design to fit a year calendar comfortably within a business card.

It all started because my 48-year-old mom, blessed her, can’t read small type very well. She has trouble using little calendar cards because the day numerals are so small and last time she complained I paused and empathized with her travail. The problem, it was suddenly obvious, was not only the marketing debris that encroaches upon every poor card but rather the quite wasteful scheme we use for representing a year—the same table with the same thirty-something numbers over and over.

Take a fancy flight, don’t assume anything, not even numbers, as long as you keep these things in mind:

• The bigger the type size (or meaningful features) the better.
• The smaller the design the better. The original goal was for it to fit comfortably (you can use both sides of the paper) within 86 by 54 millimeters (3.370 by 2.125 in) of paper (your standard business card^WP) but something slightly bigger could be just as useful. We are going for useful. (Thanks Dave Pawson!)
• Immediately understandable (or pretty darn close).
• Should span an entire year.
• On any given “date” of the year, be able to easily tell what its name, its month, and its month number is.
• Instant: The less steps you need to know before knowing a date’s data the better.
• Contextual: You should be able to easily “walk” from a date to another one close by, thereby counting the days between them. People do this all the time.
• Markable: You should be able to easily mark (circle, cross, check) holidays and special dates.

Yes, I know mom could carry some sort of foldable large-type calendar, 12 calendar cards with a month each, or simply start wearing her prescribed glasses (nigh impossible), but that’s off the point right now. Let that true story be our convenient pretext for innovation.

Also note that though the idea arose out of accessibility concerns, everyone would benefit with it, just as we all grip the helping handles in hotel bathtubs.

I think the best existing metaphor for what we would like to accomplish here are modern statistical innovations like the boxplot^WP or the stem-and-leaf plot^WP—proof that novel, almost magical displays of breathtaking elegance are just around the corner. IBM’s thread arcs is a recent example.

Another good metaphor might be the Roman number system^WP vs. the Hindu-Arabic one^WP. For some five thousand millennia the best humanity could produce in its oldest art, reckoning, was the crude, procrustean Roman system—so primitive that it made even multiplication specialists’ labor. Then in a flight of fancy some unknown Hindu stumbled upon the (graphical!) principle of position—it was as far-reaching a discovery as can be imagined, allowing for the development of simple, clear-cut arithmetical rules that became the cornerstone for algebra, itself the cornerstone of modern mathematics. (If the topic interests you, do read Tobias Dantzig’s classic account, Number^AM)

More down-to-earth, the calendar and clock pedias are obvious and essential starting points—history is as good a source of what could be as it is of what has been. Information Aesthetics’ Creative Calendar Design showcase should get your creative designs flowing, and so should a quick search through the site for clocks. Tokyoflash has some interesting interfaces for telling time.

Also, dad showed me an old planner of his that had something called a perpetual calendar^WP: a 5-page calendar that tells you what day it was between 1821 to 2080. Here’s a scanning of it. Perhaps it could help to find useful patterns in the Gregorian calendar^WP.

Finally, don’t let constraints paralyze you. Don’t think a proposal has to be “perfect” or “right” to submit it, the tiniest improvement could turn out to be crucial.

Anyone can submit a proposal. A proposal consists of a picture mock up. To submit a proposal comment this post with your name and a link to your mockup (we’ll put the picture up here in the post in the Submissions section). Submit as many proposals as you wish. Submit in parallel to the Information Aesthetics post on the challenge for extra promotion to your work.

Though you submit proposals through the comments that doesn’t mean your comments need limit to proposals. Not at all. Please share ideas, point to inspirational sources, suggest evaluation criteria, ask, answer, pick your favorites, praise, mock, and critique proposals. Warning, mini calendar making is highly addictive!

I’ll consider today, Monday January 22, 2007, the challenge’s start date. It will be open for a month (we have to give the unconscious time to do its magic), closing Tuesday February 22, 2007. My biotech friend Zamantha, my mom, and me will be the judges. I’ll announce the winner Monday February 26, 2007—my birthday—here in this post.

The challenge will still end by Feb. 22, 2007, but since I’m participating I don’t know who should be the judge or whether there’ll be a judge at all—or even a “winner”. Perhaps we should call this a cooperation instead of a competition?

The judge has spoken (congrats to Adam Sporka!) but the challenge ain’t over friends. Please keep the submissions flowing! Take our breath away with an evolutionary/revolutionary design!

The journey. Of course. ;)

Just imagine if your design works. It would make for an unbeatable showcase to scream your mindboggling information design talent to the world everywhere you go: by definition, it’d be universally useful, universally impressive, portable, and easy to explain (even to your mother!). It would be (literally) the perfect presentation card. People would use your creation many times every year and mutter praise to your name every single time. The eternal gratitude of the presbyope^WP kind would be yours (and with most people over 40 afflicted to some degree, that’s a substantial percent of the global population). Even more far-reachingly, people who use your calendar would mentally represent and understand the year through your design—you would have created a new metaphor for time. Just think about that.

(Plus! It’s still early in the year, The year’s almost over, what better gift for friends and family than a 2007 2008 pocket calendar of your own making?)

If the headache would only precede the intoxication, alcoholism would be a virtue. (Samuel Butler^WP)

(What he actually wrote, in The Note-books of Samuel Butler: Part II - Elementary Morality, is “Morality turns on whether the pleasure precedes or follows the pain. Thus, it is immoral to get drunk because the headache comes after the drinking, but if the headache came first, and the drunkenness afterwards, it would be moral to get drunk.” but it has been passed along in the shorter folk version above, which, I think, is as elegant a thought as a sentence can fit.)

With that, Danny Hillis^{W, E} introduces his idea for Aristotle, an AI tutor that will move in a smarter web he calls the knowledge web. I find his dream somewhat unconvincing, somewhat pedantically unrealistic and somewhat suspicious of oversimplification. (Even though he considers it but a steppingstone towards Neal Stephenson’s Young Lady’s Illustrated Primer^{WP, ELZR}, which I love.) It is from the eminent responses to his essay where there’s gold.