“serendipity”

Another good thing that stemmed from High Fidelity was it’s introducing me to the first Bob Dylan song I actually liked: Most of the time (mp3, lyrics).

In an attempt to expand my melodic horizons I had previously downloaded his discography, planning to plod through it eventually. The going, though, proved sheer torture. I don’t like his voice nor his instruments, and all his songs seemed to blend into the same inane harmonica.

When I first listened to Most of the Time I thought an old black woman was singing. I liked the pace though, and I started listening. The structure revealed with a couple of lines and I was hooked. In its epistrophe^WP and nostalgia it reminds me a lot of Alberto Cortez’s Distancia (mp3, lyrics).

I started browsing around with more method (listening the intersection between his discography and Rolling Stone’s 500 greatest songs of all time). I “discovered” I want you, Like a Rolling Stone, Lay Lady Lay, Blowing in the wind, Mr. Tambourine man, Knocking on Heaven’s Door, and Visions of Johanna. Most I’d heard before, covered, but I’d never really listened to them. A masterful songwriter (he’s been nominated several times for a lit Nobel) with “unusual” voice and renditions, Dylan reminds me a lot of Jose Alfredo Jimenez^WP and Georges Moustaki^WP: they’re all acquired tastes, popularized by covers, appreciated only after attentive overexposure. All of which is fine by me, acquired tastes tend, oddly, to be the most rewarding.

Of course I couldn’t have been the only one obsessed about 5th Element’s Leeloo. It’s just that it only occurred to me today to look for likeminded people. Indulge,

Aw, so young yet so fetishful already.

I wonder how widespread is the concept. Please leave a comment with your answer. A simple yes or no will suffice. Though if you have a strong opinion about them I’d be glad to hear it. Also interesting to hear would be how you heard about them—quality management class? invented them on your own? late night Wikipedia? serendipity?

The recent (April 16) revamping of TED.com around their famous talks provides the perfect excuse for me to finally write about them. And what I want to say boils down to one thing: watch them. They’re free. They’re one of the most exciting things content-wise to happen to the web of late. They have a cumulative effect. The audio and video quality are superb. They are raw, distilled passion. Their speakers are truly among the world’s most talented, most inspiring people (passion begets passion).

And if you only have time for one talk, let it be Eva Vertes’s—probably the best video I’ve seen, ever. Not only does she (very convincingly) puts forth a fascinating (and, oddly, satisfying) theory of cancer in less than 19 minutes, making it all seem as the simplest, most logical thing in the world, she also does it with a naive, youthful spunk that disarms you right away. I swear if I had seen this in high school I might have thrown it all away and study medicine. She’s that good. Now I’ll settle to try to convince my brilliant med-studying sister to tackle cancer. She too is that good.

Also not to be missed are…

I’m so set in my (fetishy) ways. Again, I feel compelled to say that I’m not on the look out for such pictures. They come my way. Though come on, maybe I should be…

The responsible for the baci saffici is the most talented Alessandro Pautasso.

I don’t even remember how it was that last Thursday morning I ended up reading Sutherland’s classic article. But I’m glad I did. It was exactly what I needed. Thank you Mr Sutherland.

...one really do wonders what is the point—other than better displays—of that quaint anachronism that is the museum.

And don’t even get me started on DeviantArt.

This really won’t save you any work at all but it’s sure to baffle casual onlookers.

At heart is just the usual distributive^WP algorithm we all use when multiplying arabics^WP, rearranged and visually rewritten using the immediate correspondence of crisscrosses to multiplication: .

My winners, so far this year, of the Keep the Web Weird prize.

• Susan Stepney’s Homepage. Swim around her factoids or her myriad book reviews—sci-fi and non-fiction being the two categories. And boy does she read good nonfiction. Check her rated non-fiction index for a good glimpse of it and notice how her book reviews tend to grow organically into full-fledged bibliographies [example].

• Luis Pabon’s Entropía blog (in Spanish). If you can only read one thing from him, let it be El hombre que hablaba al reves (The man who spoke the wrong way round)—it’s positively brilliant. Positively.

  There’s also a letter to his future self; oblique strategies; an elegant fable: El pez que se bebió el océano (The fish who drank the ocean); obscure calendar erudition: La abreviatura de los miércoles (Wednesday’s abbreviation); original music; a scanning of a (terrifying) dictation from a Spain under Franco: Libertad Dictada (Dictated Freedom); a reflection sparked by GTD^WP: Conocerse a sí mismo (Knowing Oneself); an absolutely amateur, yet interesting, physics experiment: Acústica de fluidos; and a beautiful, infinite poem. Even his profile is writing of the highest order.

  He has infodesign talent to spare, as he showed with his proposal in my calendar challenge, and he can sometimes use it for most amusing purposes. Like these two graphs here, perfectly illustrating why sometimes to go forward it’s better to get some distance first:

  
  

  Most intriguing is when he combines this graphic inclination with his (prodigious) verbosity to create amazing, longwinded plays with the ridiculous (think of that famous bathroom-tissue-distribution-units passage from Snow Crash^WP). There’s for instance the Messiah Project, his compendium of priorization strategies, and his “simple graphical and mathematical model for the analysis and assessment of situations according to a person’s capacity, responsibility, and will.”

  “Luis… estás como un cencerro!!!” says a legendary comment. Correctly.