quotes

211 posts under this tag.

Star
WD-50, food as an art-form 2
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7
Oct
13

The second course, “shrimp and tarragon macaroons”, sang out loud. Clumsy as it sounds, it was among the most beautiful, thoughtful, well-composed dishes I’ve ever had. Three little white puffs sat on a stark white plate; each puff consisted of two meringue-like halves held together with a smear of reduced and pureed tarragon. The puffs had an etheral texture—with a slight pressure from the tongue, they melted—and a haunting, intense shrimp flavor that the tarragon complemented perfectly. Imagine those Indonesian shrimp puffs made by a classically-trained pastry chef, and you’re halfway there.

Beautiful? Thoughtful? Well-composed? Ratatouille did much to made me remember how much I’ve always enjoyed food, but Kandinsky in the Kitchen, the abovequoted review of the New York restaurant WD-50 floored me. I had never read food described with such words before, nor had I seen dishes more beautiful than most paintings, nor had I been so enthralled with so original a combination of ingredients (how about a dish made of cured hamachi, lemon leather, cilantro sorbet and paprika ?).


Another great review of the restaurant by The Gourmet Pig, made me realize the restaurant is part of a much wider movement: molecular gastronomy, the application of science to culinary practice. Apparently they can now compress watermelon to give it the texture of raw tuna.

The pursuit of beauty and meaning will never end, will it?

Movement is the actualization of potentiality 2
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7
Oct
07

I can see now I never really committed to Laura.

I always had one foot out the door—and that prevented me from doing a lot of things, like thinking about my future and…

I guess it made more sense to commit to nothing, keep my options open.

And that’s suicide.

By tiny, tiny increments.

Probably High Fidelity’s finest moment.

On first watch I was very ambivalent about the movie, but it grows on you.

And, y’know, it’s true.

Carnegie's Gospel of Wealth 2
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7
Oct
07

The growing disposition to tax more and more heavily large estates left at death is a cheering indication of the growth of a salutary change in public opinion. The State of Pennsylvania now takes—subject to some exceptions—one-tenth of the property left by its citizens. The budget presented in the British Parliament the other day proposes to increase the death-duties; and, most significant of all, the new tax is to be a graduated one. Of all forms of taxation, this seems the wisest. Men who continue hoarding great sums all their lives, the proper use of which for – public ends would work good to the community, should be made to feel that the community, in the form of the state, cannot thus be deprived of its proper share. By taxing estates heavily at death the state marks its condemnation of the selfish millionaire’s unworthy life.

Ugh. I actually hope to use any wealth I happen to make to help the causes I believe in and we even coincide in some of those causes, but I recoil from the reasoning that led Andrew CarnegieWP to philanthropy. A reasoning he most famously presented in his Gospel of Wealth, quoted above.

In what could charitably be attributed to a deep generational chasm (he did wrote more than 100 years ago), he’s insufferably unctuous, enlisting at every opportunity the “wise men,” “the thoughtful man,” “most of those who think,” “the best and most enlightened public sentiment,” and a further, seemingly endless cohort to his aid, substituting them for argument.

He frequently employs a fatalism I’ve always found devious, the fatalism that makes some limp effort to justify the status quo only to conclude with the friendly provision that it is all inevitable anyway.

But most depressingly, he makes scant sense and obscures rather than illuminate. Speaking in pompous, hyperbolic generalities, he never goes around to explaining just why wealth accumulation is increasing—he only talks vaguely about assembling “thousands of operatives in the factory, in the mine, and in the counting-house,” as if wealth creation were a matter of mere herding. He uses dubious anecdotal evidence —a “most worthy” man’s impromptu giving of a quarter is interpreted as “probably one of the most selfish and very worst actions of his life”— and rather idiotic “insights” into the mind of men —at one point he actually claims the rich would take in stride being confiscated, happy to brag about how much they’d been deprived of.

He seems to believe that rich men acquire their wealth by doing something extraordinarily good, necessary, and rare. Yet, he entitles them to no right to what they’ve earned. They should “provide moderately for the legitimate wants of those dependent upon him” and consider the leftovers society’s trust fund, theirs only lent to administer for the good of all.

It’s not all bad, I actually sympathize, from a distance, with his Randian views on charity and property, and I also agree with his Hayekian wish for evolutionary rather than revolutionary changes. Still, the essay is unusually abysmal. If this is the best tract we have arguing for private philanthropy no wonder there’s so little.

Distilled McCarthy 2
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7
Oct
06

134 sayings by John McCarthyWP (selected, presumably, by the man himself). I personally added 34 quotes to my personal quiver—a telling ratio for any quote collection, even without considering that the rest of the quotes were still excellent. It’s not only that our prejudice, tastes, and interests turned out to be surprisingly aligned (eco-bashing, optimism, Marxism-bashing…; libertarianism, existentialism…; AI, computers, technology…), the man can really turn a phrase. Check him out.

Here 8 of the very best:

As the Chinese say, 1001 words is worth more than a picture.

Malthus was right. It’s hard to see how the solar system could support much more than 10^28 people or the universe more than 10^50.

If everyone were to live for others all the time, life would be like a procession of ants following each other around in a circle.

People mourn when a person dies, but no-one mourns the billions of intestinal bacteria that his death dooms. Speciesism, I calls it.

It’s possible to program a computer in English. It’s also possible to make an airplane controlled by reins and spurs.

If you want to do good, work on the technology, not on getting power.

Asking a critic to name his favorite book is like asking a butcher to name his favorite pig.

When I see a slippery slope, my instinct is to build a terrace.

"..as though art were all about self-expression rather than artifice." 2
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7
Oct
06

For my writer friends. From Intelligent Life’s article on On The Road’s anniversary, Fifty years of solitude.

This is why the book has always left a bad taste in my mouth: its most passionate defenders treat it as a sacred text, and seem to think that feeling—depth of feeling, loudness of feeling, existence of feeling—somehow justifies a piece of writing or an opinion, as though art were all about self-expression rather than artifice.

Sandia Season 2
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7
Aug
09

At what does the watermelon laugh,
when it is being murdered?
Pablo Neruda, The book of questionsEE

It’s watermelon season here in town. Which means the cheapest, sweetest sandias of the year. The green bellies crack open at the slightest cut, roar, and out bulges sweet, sweet candy-cotton. I tell you friends, it’s a good time to be a frugivoreWP mammal.

When one doesn't know how to fuck... 2
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7
Jul
27

My father, who is very fond of sayings and good phrases (a formist!), surprises one often with some bizarre and rather tactless answer that is however perfectly appropriate. “Stop looking for five legs in a dog1...”, he admonishes, tired of pointless dabbling, pausing to smile and lull you, ”...or tits in a hen”.

A while ago, building a huge and pretty warehouse, he had to endure a terribly inefficient contractor that was however friends with the client. He had a excuse for everything, a but, an it wasn’t my fault, a there’s no way, an it can’t be done. “Look, when one doesn’t know how to fuck…”, interrupts him my father one day, tired of delays and pretexts, “balls get in the way”.



Ahora en el Espanhol original, (llano, claro)


Mi padre, que es muy dado a los refranes y las buenas frases (a formist!), sorprende de vez en cuando con respuestas mas bien bizarras y de poco, digamos, tacto que sin embargo suelen ser perfectamente atinadas. “No le busques tres pies al gato…,” te reganha, cansado de necios devaneos, pausando para sonreir y arrullarte, ”...ni chichis a las gallinas.”

Hace poco, construyendo una bodega enorme y muy linda, tuvo que aguantar un contratista ineficiente pero amigo del cliente. Para todo tenia una excusa, un pero, un no fue mi culpa, un no hay manera, un no se puede. “Mira, al que no sabe coger,” lo interrumpe mi padre un buen dia, cansado de retrasos y pretextos, “hasta los huevos le estorban.”



fn1. “Managers thinking about accounting issues should never forget one of Abraham Lincoln’s favorite riddles: `How many legs does a dog have if you call his tail a leg?’ The answer: `Four, because calling a tail a leg does not make it a leg’.” Warren BuffetWQ, alleged.

Star
HyperScript 2
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7
Jul
06

A 16-line hack to make the JS DOM API a tad more humane.


...absolutely amazing. I’ve yet to find a smaller and yet more astounding example of how you can encapsulate functionality within JavaScript and create brand new APIs on the fly.

Web pages are written in HTMLWP but as they have become more and more complex, they now tend to be written, clientside, through JavascriptWP, which can manipulate and insert HTML. Google Images, for instance, uses Javascript to write the HTML that displays your image results.

Yes, it’s roundabout, but it’s due to the nature of the languages: Javascript does stuff, HTML displays stuff. When you want the browser to do things (instead of merely displaying dumbly what it receives) and when these things themselves involve a lot of displaying, you end up writing HTML through Javascript.

It’s a little like writing French through English (André went to Marie and said: ”Bonjour! Ça va, ma chérie?”) and just as frustrating, particularly because you sometimes have to narrate whole scenes in French (pidgin tends to be painfully verbose) and your English self is left completely in the dark—so you end up naming things in both French and English and it gets as ugly as you can imagine.

HyperScript is a bizarre and quixotic attempt to write French in English; that is, HTML in Javascript. Basically, you do what went on in the Norman conquest of EnglandWP: you anglicize as many French words as you can; that is, you turn into Javascript as many HTML words as you can.

The lark itself takes gratefully (and rather surpisingly) only 16 paltry lines of Javascript code (highlighting thanks to Mark “Tarquin” Wilton-Jones.):

function each(a, f) { for(var i=0, l=a.length; i<l; i++) f(a[i]) };
each('a big blockquote br b center code div em form h1 h2 h3 h4 h5 h6 hr img iframe input i li ol option pre p script select small span strong style sub sup table tbody td textarea tr ul u'.split(' '),
    function(label){
        window[label]=function(){
            var tag=document.createElement(label);
            each(arguments, function(arg){ 
                if(arg.nodeType)                                         tag.appendChild(arg);
                else if(typeof arg=='string' || typeof arg=='number')    tag.innerHTML+=arg;
                else for(var attr in arg){
                        if(attr=='style') for(var sty in arg[attr]) tag[attr][sty]=arg[attr][sty];
                        else tag[attr]=arg[attr];
                };
            });
            return tag;
        };
    });

and you can play with it right here, right now:



Test Area:

does it work now?

The translation between HTML and Hyperscript is straightforward, where you would have written
<b>Hello world!</b>,
you now write,

b(‘Hello World!’).

Instead of

<em style=”background-color:yellow”>Hello world!</em>,

now it’s,

em({style:{backgroundColor:’yellow’}},’Hello World!’).

And so on.

HTML in a Javascript syntax. Enjoy!

You move on 2
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7
Jul
05

Fascinating Economist article on the music industry’s new developments. Very reminiscent of Dyson’s thoughts on intellectual property:

“[...it] is dead; long live intellectual process. Long live service; long live performance.”
and anime’s general stance towards piracy:
“If it succeeds, milk it; if not, try something different. And if the fans are into file sharing (which they are), keep the lawyers leashed and find a way to make piracy work for you.”

Seven years ago musicians derived two-thirds of their income, via record labels, from pre-recorded music, with the other one-third coming from concert tours, merchandise and endorsements, according to the Music Managers Forum, a trade group in London. But today those proportions have been reversed—cutting the labels off from the industry’s biggest and fastest-growing sources of revenue. Concert-ticket sales in North America alone increased from $1.7 billion in 2000 to over $3.1 billion last year, according to Pollstar, a trade magazine.

Frustrated record companies have responded by trying to get their artists to spend more time promoting records and less time touring and endorsing products, says Jeanne Meyer of EMI, another big record label. “Sometimes you’ve got a tug of war going on,” she says. Yet the more labels spend on marketing pre-recorded music, the more they raise their artists’ profiles and boost their other, more lucrative, sources of income. Pre-recorded music, no longer the main cash cow, increasingly serves merely as a marketing tool for T-shirts and concert tickets. The best seats for The Police’s world tour this summer cost over $900; the group’s entire catalogue on CD costs less than $100.

The shift away from recorded music is due in part to the recognition that touring and merchandise are more lucrative. But it may also be a consequence of internet piracy, as free downloads give music fans more money to spend on other things. Jwana Godinho, the director of Música no Coração, a concert promoter in Lisbon, thinks many music lovers have a “mental budget” that they are prepared to spend on music, and have switched their spending from CDs to tickets and merchandise.

The logical conclusion is for artists to give away their music as a promotional tool. Some are doing just that. This week Prince announced that his new album, “Planet Earth”, will be given away in Britain for free with the Mail on Sunday, a national newspaper, on July 15th. (For years Prince has made far more money from live performances than from album sales; he was the industry’s top earner in 2004.) Outraged British music retailers were quick to condemn the idea. As far as the record industry is concerned, it is madness. But for the music industry, it could well be the shape of things to come.

The Economist, A change of tune

I’ve always hated, with a passion, moral-indignation ads against piracy—not only because they’re manipulative but because they’re stupid. And the best defense for piracy may be how hard it is to make an argument against it that doesn’t stink of moral indignation—if maudlin pleas are the best you can do, you’re probably rotten. (On a related sidenote, I found it mighty interesting when The Economist circuitously referred to Kazaa as “a file-sharing program that was widely used to download music without paying for it”—as much as ads want to make us believe pirating is stealing, there are crucial differences, which is why such circumlocutions are essential.)

To solve intellectual property’s malaise I’ve long sought for grand economic solutions (new innovative schemes or perhaps even a new concept of property rights) rather than grand political ones (which are just, ugh, imposed moral rules). While there has been plenty of both, I’m starting to see these days that maybe the solution will be simply to move on. Piracy is just another (admittedly extreme) form of commodificationWP. You don’t fight commodification by outlawing it, you take the next thing that hasn’t been commodified yet, you offer value however you can, you move on.

Game 2
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7
Jun
23

The first principle is that you must not fool yourself—and you are the easiest person to fool.
—Richard Feynman, Cargo Cult Science

Watched Al Gore’s An Inconvenient TruthWP a couple of days ago. Besides being astonished by the quality of the presentation that is the core of the documentary, he did manage to intrigue me, if not convince me, about global warming—I’m definitely reading Skeptical EnvironmentalistAM, E soon.

At any rate, what surprised me most was Gore’s evident hubris and mocking towards skeptics. I thought of a question for him then,

what reasons are there to disbelief your believes and your conclusions?

And it hit me that it was too good a question not to ask ourselves.

That’s the game I’m proposing today. It’s like when they asked you in high school to take the other side of a debate only this time it’s not about arguments, it’s about reasons—the difference here being that a reason is a fact you yourself are forced to accept while an argument is a verbal tool you use to to try to convince others. This is not about others, posing or fighting, this is about you and truth.

You know there have to be reasons for both sides, don’t you? Anything of more than trivial complexity is inherently ambiguous. If you can’t find them it’s probably because your knowledge of the subject is, well, trivial and superficial.

So take one of your most entrenched beliefs—say, in my case, that government is evil or that there is no god—and find a reason—a reason you can do nothing but accept—for disbelieving it. It is not about you abandoning that belief, it’s about letting doubt back inside your cramped head.

Personally, I’m losing so far. It’s incredibly easy to come up with plausible, convincing arguments that would be good weapons and yet you personally know are ultimately flawed and phony. But to come with true reasons—well, it’s much, much harder than I thought…