Questions

I see them a lot in Japan, in not particularly geeky contexts, so I’m sure they must have a name. I’d call them polygon graphs. Anyone knows the common name and perhaps where I can find more about them?

Before I came to Japan, I used to pester my sister who had been here with the question of what exactly did Japanese people do during their looong commutes (around 1 hour each way!). It’s perhaps the biggest free time chunk of one of the biggest economies in the world, so it intrigued me and it still does.

Well, they read Japanese books (usually quite compact because of kanji’s density) or the newspaper (carefully folding it halves or quarters), play Nintendo DS or Sony PSP, listen to music, sleep… But mostly, they use their ketais. Not to talk, no one ever talks on the train (despite the alleged perfect reception), but to text, watch TV, check train routes, surf the Japanese mobile web…

Chiba is where she’s from. William Gibson’s Neuromancer also took place here. It’s the eastern sleeperside of Tokyo and I currently call it home. Its kanji mean thousand leaves and so, of course, the mille-feuille is the official cake. Japanese make a great deal of its shape and 2 animal logos based on it are in current use. Isn’t the yellow one captivating in its deformity?

Travelling all across the developed world this question’s naturally recurring. Here some likely fragments of the answer:

It’s a stab. Please help with more ideas that come to mind.

I hunger for nonfiction because I love learning and because I long to expand my life, my experiences, my thought—all of them so sadly limited. One particular obsession of mine lately is to find truly great nonfiction in languages other than English. It’s not that there’s a lack of it in English (quite the opposite) but rather a nagging suspicion of Western (American-European) parochialism, of missing out on great works and different perspectives I can’t even imagine.

The surprising thing, though, is how hard it is to found it. I have no trouble finding truly great, truly unique fiction in many languages but my trawlings for worthwhile nonfiction turn out almost always empty.

Perhaps it’s a matter of nonfiction not being as readily exportable and thus translated to other languages. Perhaps there’s just not a English market for translated nonfiction. Perhaps English just sucks into it most modern nonfiction writers, whatever their native language. Perhaps whoever wants to be widely read these days chooses to write only in English. Perhaps nonfiction in other languages is ”remade” rather than “subtitled” into English. Perhaps I need to be introduced to it by a native speaker. Perhaps nonfiction as we now conceive it is a very modern meta-genre. Perhaps nonfiction is a Western thing. Perhaps nonfiction needs a massive community of hundreds of millions of wealthy, educated speakers to foster the few who will read it, let alone write it. Perhaps I’m so drenched in the Anglosphere that I only get it’s version of who’s relevant. Perhaps just as Greek, Latin, Chinese, Arab, or French had their golden nonfiction age, this is English’s. Perhaps.

Lacking an answer, my guess these days is that English nonfiction is, personally, by far the only worthwhile modern nonfiction in the world.

But I’m still looking. And so, dear Interwebs, please help me out, what examples do you know of truly great nonfiction in languages other than English?

Anything goes, as long as it’s general, nonlocal, non-culturally-specific (say, no books on Kohdo, the Japanese art of smelling incense, or on the cuisine in the Mexican state of Oaxaca) but to give you a more specific idea of what I’m looking for, here are some subjects dear to my heart and some outstanding representatives within them (with the few items in languages other than English bolded):

• Economics —think Daniel Friedman’s The Machinery of Freedom, Friedrich Hayek’s The Road to Serfdom, PJ O’Rourke’s Eat the Rich;
• History —think Peter Watson’s Modern Mind and Ideas, Mitchel Waldrop’s The Dream Machine;
• Philosophy —think Daniel Dennett’s Freedom Evolves;
• Reference —think Encyclopaedia Britannica, Oxford Dictionary, American Heritage Dictionary, Diccionario Maria Moliner;
• Biology —think Richard Dawkin’s The Selfish Gene, cognitive science (think Andy Clark’s Natural Born Cyborgs);
• Neuroscience —think Jeff Hawkins’s On Intelligence;
• The Singularity —think Ray Kurzweil’s The Singularity is Near, Hans Moravec’s Mind Children;
• Computer science —think David Hillis’s Pattern in the Stone, Charles Petzold’s Code, Peter Norville’s Ambient Findability, Doug Engelbart’s Augmenting Human Intellect;
• Philosophy/language/cognitive & computer science —think Douglas Hofstadter’s Godel, Escher and Bach;
• Aphorisms —think Jorge Wagensberg’s Si la naturaleza es la respuesta…;
• Essays —think Alfred N. Whitehead’s Aims of Education, Paul Graham’s Hackers and Painters, Fernando Savater’s A Decir Verdad;
• Information Design —think, of course, of Edward Tufte’s masterful works;
• Comics —think Scott McCloud’s Understanding Comics,  The 9/11 Report: a graphic adaptation, Rius’s works;
• Artificial Intelligence —think Marvin Minsky’s Society of Mind;
• Interface design —think Jef Raskin’s The Humane Interface, Donald Norman’s The Design of Everyday Things;
• Design —think Cristopher Alexander’s Notes on the synthesis of form;
• Journalism —think John Battelle’s The Search;
• Business —think anything by Peter Drucker;
• Medicine —think Atul Gawande;
• Language —think Claude Piron’s La Bona Lingvo, George Lakoff’s Metaphors we live by, Giles Fauconnier’s The Way We Think;
• Selfhelp —think Efrain Bartolome’s Educacion Emocional, Dale Carnegie’s How to win friends and influence people, Harry Browne’s _How I Found Freedom in an Unfree World;
• Finance —think The Essays of Warren Buffet;
• Sociology —think Virginia Postrel’s The Future and its Enemies, Jared Diamond’s Guns, Germs and Steel, Guillermo Oliveto’s El Futuro Ya Llegó;
• Psychology —think Mihaly Csikszentmihalyi’s Flow, Ellen Langer’s Mindfulness, Karen Pryor’s Don’t Shoot the Dog, Sherry Turkle’s The Second Self;
• Biography —think Feynman’s Surely You’re Joking Mr. Feynman, Sam Walton’s Made in America;
• Mathematics —think Michael Spivak’s Calculus, Tobias Dantzig’s Number;
• Education —John Holt’s How Children Fail, Guillermo Jaim Etcheverry’s La Tragedia Educativa, Seymour Papert’s The Children’s Machine;
• Programming —think The Pragmatic Programmer, The Little Schemer;
• Technology —think Kevin Kelly’s Out of Control;
• Periodicals —think The Economist, The New York Times;
• Video —think TedTalks, Helvetica, David Attenborough’s Life in the Undergrowth;
• Animation —think The Crisis of Credit Visualized, Trusted Computing, The Machine;
• And other wonderful, unclassifiable stuff —think James P. Carse’s Finite and Infinite Games, El Retorno del Cangrejo Parte IV, Mihaly Csikszentmihaly’s Evolving Self.

Extra points (not-at-all-necessary but cool parameters):

• the book is less than 200 years old. One extra point if also less than a 100 years old. A further extra point if also less than 50 :).
• from a non-Western language (like Japanese!),
• third culture-ish,
• NOT yet translated into English.

Wittgenstein’s words-as-threads quote is one of my favorite pieces of thought ever. Turns out there’s loads more from where that come from.

I wonder, particularly now that my lil sis studies economics, how funny it is that economists are far and away mostly of use to govt’s. While theirs is a fine and beautiful knowledge, the only people that actually pay economists to work —besides universities, who employ them to train more economists, a nice pyramid scheme— are either bureaucrats or lobbyists warding or manipulating bureaucrats. At first that made me wary, but lately I’ve come to realize that what good economists (as opposed to bribed sycophants or bad economists) actually have to say to the gov’t is fuck off—stay away, you do more harm than good. Dismantling or even just holding off the gov’t beast is a worthy mission, quite possibly one of the most important.

Final part of Stunde Null, following Part 1 and Part 2

As I would better learn the next morning, the detention center was a nice, non-descript government building in the middle of, get this, upper-middle-class Phoenix suburbia. They take, though, such care in camouflaging that I doubt many neighbors know right next door illegal aliens are being held captive.

They searched me again, and again for weapons. They took away my book. Cops where white, some Hispanic, one of them had some arm-covering tattoos, San Francisco style. A bus was being loaded with a throng of short, tiny, Latin Americans of obvious illegality and indigenous roots, people whom you can tell just by looking that they have never eaten meat on a regular basis, faces and bodies eaten away by poverty and disease. They weren’t treated badly, what I saw was the same detached professionalism afforded to me.

For my sister, Alex, who will start her Economics major this July

Economists are philosophers of human action.

They’re close to psychologists, neurologists, sociologists, anthropologists, and ethicists.

But psychologists focus on the mind behind the human action, neurologists focus on the underlying brain, sociologists on the surrounding society, anthropologists on the enveloping culture. Ethicists focus on the aesthetics of human action, on what human action should be.

Economists, on the other hand, focus on the actions themselves, on trying to understand them in their own terms. They ask questions like:

What patterns does human action follow? What different kinds can we usefully distinguish? Why are these actions taken? What are the goals behind these actions? What would the consequences be of these actions? Why do these actions have these consequences? In other words, what is the interplay between goals, conditions, actions, and consequences? If someone took these actions what actions are others expected to take? How will these actions affect others? What are the best actions to take given these goals? How best to organize and coordinate human action? What are the limits of human action? How to improve human action?

Grouped under the ARG, Alternate Reality Gaming, label for lack of a better term. I think all 3 exemplify something new, unsettling, and fascinating that I don’t yet have a word for.

1. Little Brother^ELZR, now available as atoms and bits, has a glorious climax of hundreds of vampires invading San Francisco’s civic center, messing with general paranoia.
   
   
   > RULES FOR VAMPMOB
   
   

   > You are part of a clan of daylight vampires. You’ve discovered the secret of surviving the terrible light of the sun. The secret was cannibalism: the blood of another vampire can give you the strength to walk among the living.

   > You need to bite as many other vampires as you can in order to stay in the game. If one minute goes by without a bite, you’re out. Once you’re out, turn your shirt around backwards and go referee—watch two or three vamps to see if they’re getting their bites in.
   
   

   > To bite another vamp, you have to say “Bite!” five times before they do. So you run up to a vamp, make eye-contact, and shout “bite bite bite bite bite!” and if you get it out before she does, you live and she crumbles to dust.

   > You and the other vamps you meet at your rendezvous are a team. They are your clan. You derive no nourishment from their blood.
   
   

   > You can “go invisible” by standing still and folding your arms over your chest. You can’t bite invisible vamps, and they can’t bite you.

   > This game is played on the honor system. The point is to have fun and get your vamp on, not to win.
   
   

   > There is an end-game that will be passed by word of mouth as winners begin to emerge. The game-masters will start a whisper campaign among the players when the time comes. Spread the whisper as quickly as you can and watch for the sign.

   > M1k3y
   
   > bite bite bite bite bite!
   


2. Freezing Grand Central, a most elegant improv piece (via Alan).
   
   


3. That great Free Hugs campaign a while ago:
   
   


4. Got more samples along these lines? I wanted to quote something from SFZero but I’m still too new to it…