“photos”
102 posts under this tag.
There’s been a recent, unnacounted-for change in me regarding architecture. Never having so much as glanced at it before, I now found it supremely soothing, liberating—it suddenly seems the most important thing in the world. This computer mockup of the Louvre Abu Dhabi with its canopy of light, for instance, has had me transfixed all day. See NYT’s feature, The Louvre’s Art: Priceless. The Louvre’s Name: Expensive.
Never would’ve thought designing calendars was this fun. (PokeCalendario, btw, is a great turn of phrase by James P. Wack)
The diptych is a fascinating art form—the boundary object between comic and picture.
Turns out you can easily break DRM-ed LIT ebooks while as far as I know your PDF ones—if tightly DRM-ed, and these days they all are—are lost for good—leaving you as a sucker who can’t even copy paste and interesting quote; heck, a sucker who can’t even lend the ebook to a friend (hurrah for technology!).
Interesting how piracy can actually be a good thing for business: yesterday I bought a digital version of Peter Watson’s 800-paged IdeasAM (to go with my paper version) only because it was available as a LIT. I then immediately broke the DRM (Microsoft Reader is a joke) and had the—again, 800-paged book—as an HTML mine to edit and tweak. This is just the encouragement I needed to start reading the book—just imagine, I can now tweak the format just like I want it (and as you may have noticed I am a format freak—I like my italics in a slightly more remarkable tone, my parenthetical text slightly subdued, my quotes highlighted), I can turn footnotes into sidenotes, I can 1-click-Answers.com every word, I can copy-paste to Evernote and Devonthink (these days I just can’t conceive of reading a book without highlighting, now it’s getting intolerable not being able to immediately save select quotes in a digital form1), I can upload to my webserver and have it always some seconds away, I can read it in my berry, I can print it, I can find-as-I-type, I can link, annotate, or rewrite, I can…
Fees in malls’ parking lots are a recent development here in GuadalajaraWP that has been welcomed with the fervent outrage one would have imagine reserved for true wickedness. It is all the more interesting then how quickly the new mode swept the city—I can only think of two malls that remain complimentary, Plaza Acueducto and Plaza Outlet, and it’s clear that they refrain from charging only to attract customers to their rather forlorn premises.
Despite the somewhat frequent calls that something should be done about this, that some new law should be passed to protect us customers from yet another new instance of capitalistic rapacity, I take them as nothing but inconsequential bursts of anger at the inconvenience. I take it as a given that we can all see clearly that mall owners have the obvious property right to charge whatever they want for the use of their premises. We, in turn, have the corresponding right of shopping wherever we want.
So instead I want to discuss here the deeper question of whether or not these parking fees better society. Is the money Parking Lot Operators (PLOs) earn the reward for a valuable service or ravenous plunder hiding under the banner of property rights?
Jaron Lanier’s answer to the 2007 Edge question, What are you optimistic about?, is, predictably enough, post-symbolic communication. But the more I hear about it, the more I’m overwhelmed by the grandeur and sheer magic of the vision. As beautiful a dream as I’ve ever seen.

One extravagant idea is that the nature of communication itself might transform in the future as much as it did when language appeared. This is not easy to imagine, but here’s one approach to thinking about it: I’ve been fascinated by the potential for “Post-symbolic Communication” for many years. This new style of interpersonal connection could become possible once large numbers of people become virtuosos at improvising what goes on in Virtual Reality.
We are virtuosos at spoken language. Adults speak with what seems like no effort at all, even though everyday chats might be the most complicated phenomena ever observed. I see no reason why new virtuosities in communication could not appear in the future, though it’s hard to specify a timeframe.
Suppose you’re enjoying an advanced future implementation of Virtual Reality and you can cause spontaneously designed things to appear and act and
interact with the ease of sentences pouring forth during an ordinary conversation today.
Why bother? It’s a reasonable hunch. Words have done so much for people—so alternatives to them with overlapping but distinct functions ought to lead to new ways of thinking and connecting.
An alternative to abstraction might arise—the possibility of expression through a fluid and capable concreteness. Instead of the word “house” you could conjure up a particular house. How do you even know it’s a house without using the word? Instead of falling back on whatever the word “house” means, you might toss around a virtual bucket that turns out to be very large on the inside- and contains a multitude of house prototypes. In one sense this “fuzzy” collection is more precise than the word, in another, less so. It is different.
If all this sounds a little too fantastic or obscure, here’s another approach to the same idea using more familiar reference points. Imagine a means of expression that is a cross between the three great new art forms of the 20th century: jazz improvisation, computer programming, and cinema. Suppose you could improvise anything that could be seen in a movie with the speed and facility of a jazz improviser. What would that mean for the sense of connection between you and someone you love?
The most valuable optimisms are Infinite Games, and imagining that new innovations as profound as language will come about in the future of human interaction is an example of one.
Last Saturday, Gwyn invited me to the First Flickr Phototour of GuadalajaraWP. I didn’t know what to expect or what the hell a phototour was (I brought my camera rather as an afterthought), but I wanted to meet that mysterious Gwyn and get some air. (My parents wouldn’t let me go at first, having read in the day’s newspaper about some local murderers that met their victims through the web. When they finally read the article more carefully and found the victims were local gays hooking up dates online, they exhaled, relieved, and let me go without further ado. Which was homophobic and then some but I can’t change the world all at once—I was too late already.)
Well, it was unbelievable fun. I read somewhere that as we grow old we stop seeing things and only name them instead. You look around your room and instead of seeing the bed—its shadows, texture, pattern, perspective—you call it “bed”—and move on. Precipice locals, from John Brunner’s WP Shockwave RiderWP novel, had a very peculiar way to fight this tendency:
“Say, I wonder how much further it is to Great Circle Course. Can we have come too far? No street names are marked up anywhere.”
“I noticed. That’s of a piece with everything else. Helps to force you back from the abstract set to the reality. Of course it’s something that can only work in a small community, but—well, how many thousands of streets have you passed along without registering anything but the name? I think that’s one of the forces driving people to distraction. One needs solid perceptual food same as one needs solid nutriment; without it, you die of bulk-hunger. There’s an intersection, see?”
With my formistELZR obsession and my “My kingdom is not from this world.” joke, I am of course guilty of such distracted overnaming. (It has been, in fact, a point of pride.) And so it was a revelation for me to be forced by the shutter to shut up and simply look around.
There was a point, while we visited the Hospicio Cabanhas, when my euphoria was reaching religious-experience proportions. Everything was suddenly so sensual, so fresh and poignant EEM, so physical, so there. I looked and looked at stones and tree bark and white walls, and they seemed suddenly infinite in their detail.
I have to go back there soon. Sit in the middle of that huge, geometric patio, and read, design, or program the morning away. Which reminds me, I had this weird impossible idea before breakfastELZR (I skipped it) that with its many patios, its huge rooms, and its beautiful cloisters, the Hospicio Cabanhas would be the perfect media hotel!ELZR We’ll see when we can afford it.
So, yeah, I had a great, crazy time. Check out my photoset, Gwyn’s, and Pedro’s.
Here some of my favorite shots:
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