“music”

As part of our WUXMs (Weekly User Experience Meetups, a tiny event of fine people), Chris crafted Tonight Radio, a very cool mashup to listen to the bands playing in town tonight, this week, this month; the idea is to make it easier to find and sample new cool bands to go watch live.

I love the anecdote because it makes the point so well and it rings so true. The statistic surpassed even my dire expectations. And yes, major labels should have acted years ago. May we learn something from their example.

A Spanish version of Mika’s Billy Brown. Apologies beforehand, I just have this hobby of translating songs—if the mood strikes one day I may even hurt your ears with my French version of Gloria Trevi’s Hoy me ire de casa

Update 15/January/2007:

SeeqPod (YubNub’s “seeq“) crawls the web for mp3’s and streams (and queues) them for you right along search results. “Playable search” they call it, hinting they’ll use the word in expansive, unexpected ways. It’s kind of how you can now play YouTube videos within Google results. The instant gratification level of it all is sky-high. It’s long due and as clever a copyright hack as I’ve seen (like how music websites link to YouTube videos to play music but so much better). A big, dark underweb of mp3s has always been there, it’s just never been this discoverable, this sampleable.

I learned about it, btw, through one of the classiest, most elegant, best targeted spams ever. The SeeqPod team sent me a (probably automatic) email recommending me to try searching for Rufus Wrainwright through their search engine. Since their spam was so unusually well-written and targeted (I had written about Rufus Wainwright before), I tried it. Maybe in these days were spam filters are so effective spammers will have to resource to being useful and wanted. We can dream.

Update 11/Dec/07

Project Playlist (YubNub’s “projp“) is a very similar website, though SeeqPod’s interface is much better. One interesting feature of Project Playlist is that you can search other people’s playlists too, which is a great way to find similar music. SeeqPod, on the other hand, has the interesting “discover” feature, which recommends similar music. (Via Chepe.)

I’m making a list of fascinating things about the English language. As, say, my interviewer at frog design can attest, I overflow with opinionated passion but suck at showcasing. I overtell and undershow. I’m constantly nagging people with my fawning for English, for its beauty, expressiveness, and flexibility, but when pressed to put my love into reasons I’m as vague and mushy as a Christian.

So I do lists. And this particular one is fairly advanced, with so many items and examples that there’s a multi-leveled hierarchy already. One of its headings is titled “informal, unique, almost idiomatic affixes”—y’know, stuff like she- (“the she-Shepherd“), out- (“innovators out-fail the competition”), over- (“don’t overdo it”), -away (“assume away”), -friendly (“gay-friendly”), -up (“trade up”), and so on. I find most of them not only unique to English but uniquely expressive.

One particularly good example is in the phrase in the title. The full context comes from a verse from Leonard Cohen’s Hallelujah (you can listen to it here, covered by Rufus Wainwright):

The lyrics manage to portray tragic, flawed love in two lines and it all hinges on that magic “outdrew” verb.

Via Richard, un bizarrisimo video local: La Tapatia de El Personal. Producido por alumnos del CUAAD ^WP, el video es practicamente una guia sui generis del centro de Guadalajara.

Ah, no se, es tan malo que es bueno… Ademas de que siempre es raro ver cultura local capturada en medios como el video y la musica.

I first saw David Elsewhere in Kinky’s Sister Twisted video:

Fascinating Economist article on the music industry’s new developments. Very reminiscent of Dyson’s thoughts on intellectual property:

“[...it] is dead; long live intellectual process. Long live service; long live performance.”

“If it succeeds, milk it; if not, try something different. And if the fans are into file sharing (which they are), keep the lawyers leashed and find a way to make piracy work for you.”

I’ve always hated, with a passion, moral-indignation ads against piracy—not only because they’re manipulative but because they’re stupid. And the best defense for piracy may be how hard it is to make an argument against it that doesn’t stink of moral indignation—if maudlin pleas are the best you can do, you’re probably rotten. (On a related sidenote, I found it mighty interesting when The Economist circuitously referred to Kazaa as “a file-sharing program that was widely used to download music without paying for it”—as much as ads want to make us believe pirating is stealing, there are crucial differences, which is why such circumlocutions are essential.)

To solve intellectual property’s malaise I’ve long sought for grand economic solutions (new innovative schemes or perhaps even a new concept of property rights) rather than grand political ones (which are just, ugh, imposed moral rules). While there has been plenty of both, I’m starting to see these days that maybe the solution will be simply to move on. Piracy is just another (admittedly extreme) form of commodification^WP. You don’t fight commodification by outlawing it, you take the next thing that hasn’t been commodified yet, you offer value however you can, you move on.

May 10 yesterday was Mother’s day^WP here in Mexico and it was a messy affair, what with my now heart-wrenchingly weak grandfather back in our house and all the sad, crowded tension. Me, I put particular attention to the music. The undisputed classic poem for the day and inevitable tearbomb at elementary schools across the country is El brindis del bohemio (lyrics: “Sólo faltaba un brindis, el de Arturo, el del bohemio puro, de noble corazón y gran cabeza; aquel que sin ambages declaraba que sólo ambicionaba robarle inspiración a la tristeza.”), most famously declaimed by Juan Manuel Bernal. It is terribly cursi, pure schwarmerei and maudlin gesticulation, but at least it’s unabashedly so and good at it. That said, I’m glad we managed the day without it.

What surprised me yesterday was our reaction, my family’s and my cousins’, late at night and with some alcohol involved, to Denisse De Kalafe’s Señora, señora (lyrics). The song’s of course more than schmaltzy enough for the occasion but it is actually not that bad. And all of a sudden we all started singing it. We had all heard the song countless times and had been forced to learn the lyrics more than once for school recitals. It wasn’t this big emotional singing, at least not at first nor all along. It all started as some sort of joke but the song has a definite mood. And it was good to sing it.

Much less known (at least here in Mexico) is Los Churumbeles’ Cariño Verdad (lyrics), which, again, and this is perhaps inevitable, is guilty of sentimentalism, but it is all drown in some fantastic music. I didn’t even know what the song was about for a long time, always mesmerized by the tune alone.

Oh and one more song: Gloria Trevi’s^WP thankfully-breaking-the-maudlin-mood A la madre, which was actually quite an innovative, playful song back in the time.

btw, I came from the party with a cool CD Faby lent me: Rhythms del Mundo | Cuba. I had heard one of their songs thanks to Chef and it was very intriguing. The project describes itself as a “collaboration of Western artists and the Buena Vista Sound” (as if Latin America wasn’t Western) and the results are oddly arresting (Latin America appropriating the outside world!). It’s pop made salsa. It doesn’t always work wonders but it is always worth hearing. The two best tracks in my opinion are Coldplay’s Clocks and Maroon 5’s She’ll be loved. Check them out.