ethics

60 posts under this tag.

Star
63 reasons for reading The Machinery of Freedom 2
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6
Nov
05

Oodles of people and bytes 2
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Oct
31

I’m sure I’ve seen the stats before, several times, but still I was disconcerted when I read this paragraph:

As of mid-1981, according to Steve Bloom, author of Video Invaders, more than four billion quarters had been dropped into Space InvadersWP games around the world—that’s roughly “one game per earthling.”

Four billion quarters seemed a wild guess, but four billion people? In 1981? Surely there was something wrong with the reference. But there wasn’t. According to the U.S. Census Bureau, that was the approximate number of people only 25 years ago.

More alarming still, my dad was born in 1957. World population was around 3 billion then. We’re 6.5 billion now and counting. That is, my parents’ lifetime has seen the world population double—3.5 billion new souls.

I had surely seen a similar graph several times before but somehow it never got through my thick skull. I was overjoyed to realize just to what extent the world had changed in less than 50 years. Frankly, I believe I’ve found the proof I’d been looking for that the world is getting better. Isn’t it unambiguously a good thing that 3.5 billion people have been able to be born? Yes, many will live in what are to us abysmal conditions. But there is no worst quality of life than not being able to live in the first place. Death is always an option, life is not. Most of this growth comes from the poorest classes of the poorest countries but that’s also heartening in a way. There was never before reason to counteract the “ignorance” that made them try to have as many children as they physically could—it wasn’t ignorance at the time, it was bet-splitting. Most of them died anyway.

Never have so many children had the luxury of extreme poverty, to put it bluntly.

The other number shock today was from a talk by Google’s Marissa Mayer, platonic love and Google’s VP of search products and user experience:

[Starting around minute 3.25:] Most people are familiar with the concept that computers get faster all the time, they get about twice as fast every two years. It’s a law inside of computer science. But it turns out the same thing is happening with hard drives. So, around every thirteen months you can store as much information in the same amount of space on a hard drive, because the technology has advanced. Which means that every ten years you can store a thousand times as much information. So I thought I would again try and give you a sense of, in everyday form, how much content that is or how much this could change things. What this means is that if you consider a typical iPod, which today can hold tens of thousands of songs, [it] means that something the size of an iPod could actually, in the year 2012, carry an entire year of video on it, playing nonstop without repeats. By 2015 it could have all commercial music ever produced. Imagine buying an iPod where all the music is already loaded on it and you just decide what you want to access. By 2019 it could carry an entire lifetime of video in the palm of your hand, 85 years worth of video will be able to fit in an iPod. And by somewhere in the years 2020 you’ll be able to have every content ever created, sitting in the palm of your hand. Hhmmm…huuumm. Hhmmm…huuumm.

Again, I’ve played with such numbers before. It’s just they had never hit me so hard.

Options 2
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6
Oct
20

You could think of money as a bundle of alternatives, options—and you wouldn’t be wrong. (With these five bucks I could buy this week’s Economist, or get an Oreo Blizzard, or go watch El Laberinto del Fauno, or give something to eat to a street kid, or gift Surely You’re Joking, Mr. Feynman!AM to Sergio, or save for my old age, or pay one more month of the gym, or pay someone to do my dry-cleaning and lie on the grass instead.)

You could think of life as a bundle of options—and you wouldn’t be wrong. (With these one more hour of life, I could read part III of David Friedman’s The Machinery of FreedomAM, or talk to Chemito in Monterrey, or to Sergio in Ciudad Juarez, or write that email for Adolfo, or go to the gym, or flirt with that girl, or masturbate, or work at Domburi, or write my next post, or think through why I believe the government is only legitimized force, or go lie on the grass instead.)

Thus, you could think of money as life—and you wouldn’t be wrong.

Options are our universally valued currency.

Now, of course money isn’t always life. There are some options that we think of as life that may be impossible to get in exchange for money. (I may spend all my money trying to revive my grandmother and, in all likelihood, never be able to do it.) And there are some options that we think of as economical that may be impossible to get in exchange for life. (I may spend my life trying to buy a space station and, in all likelihood, never be able to afford it.)

But there’s still undoubtedly a huge overlap between them that most people are uncomfortable to acknowledge—the most they’re usually willing to concede is the common wisdom that «you need some minimal amount of money to live», which translated yields the tautological «you need some minimal amount of options to have options». The difficulty, seems to me, is that by life we mean both «options» and «taking options». What is the point of always striving for money (options) if you’re not going to live with it (take them!)? Under this light, common wisdom translates to «to be able to take options you need to have a minimal amount of options.» Which is still fairly obvious, but far more wisdomous.

A Guilty Pleasure 2
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Oct
16

As much as I truly hate domain hoarding when I’m out there looking for a spiffy domain to my latest webapp, I confess compulsive domain buying is one of my guilty pleasures1. I’m hoarding, I know, but perhaps my scale will redeem me. Those bastards—you know who you are—who hoard (“park”) thousands of domains, financing the whole murky enterprise by filling their spoils with semantically-related ads disguised as directories… well, may they be strangled to a slow, painful death by his noodly appendage.

My two most recent acquisitions are ThisWorldIsTooDark.com and Nellodee.com.

The first domain is a phrase that has haunted me since I first read it at a local exposition2 (thanks to Andrea for telling me about it) of the work of Cultural-Revolution China’s Li ZhenshengWP. A photoreporter of the main newspaper in China’s far Northeast during China’s Mao mire, Li kept negatives of his work against orders and they may be the best remaining record of the horror. Andrew Stuttaford wrote a harrowing review of Li’s Red-Color News SoldierAM and he didn’t escape the phrase either:

More typical, and more tragic, was Wu Bingyuan, a technician accused of counterrevolutionary activities (a pamphlet). Li recalls that when Wu heard his sentence, death, “he looked into the sky and murmured, “this world is too dark”; then he closed his eyes and never in this life reopened them.” The photographs show Wu being paraded through the streets of the city. Later, shackled and bound, he’s pictured at his place of execution. His eyes are still shut. We see him kneeling, back turned to the firing squad. His eyes are still shut. The final image is of Wu’s corpse. His eyes are still shut.

I want to do something at thisworldistoodark.com that honors Wu’s memory but I still don’t know what. What I do know is that the phrase is forever carved into my memory.

The other domain, nellodee.com, is thankfully from the opposite end of human possibilites. Nellodee is the full version of Nell, the name of the protagonist of Neal Stephenson’s excellent Diamond AgeAM, a toddler from the future slums that chances on a state-of-the-art learning machine. This book-machine, the Young Lady’s Illustrated Primer, the book-within-the-book, is every self-learner’s wet dream: endlessly interactive, infinitely patient, all-knowing, self-adapting, story-driven, fractal (the basic outline of the book’s story is presented at the very beginning, from then on you advance the story by zooming in on any particular fragment of it, the fragment develops into a full-fledged story, and on it goes). It has left me so deeply impressed that I have to do my share to bring it eventually to life. Toki Pona seems like the perfect subject to try my clumsy hand at the Primer concept with a simple web-app—it’s a small, simple, and enjoyable subject, and I’m already sort of an expert in it. We’ll see.

So why am I telling you all this? To assuage my conscience. You see, perhaps I dawdle for years before actually implementing any of the above ideas and so I’ve configured both ThisWorldIsTooDark.com and Nellodee.com to redirect here, to this very post, in the meantime. If you are doing (really doing, not pie-in-the-sky woulda doing) something really cool, are missing a good domain, and either of those two would be a great choice for your project, I’d be glad to give them to you. Gratis. Full-ownership. With my best wishes.

1 And I indulge it at GoDaddy, which despite its overcommercial ethos is actually a decent, self-improving registrar.

2 Oh, the stupidity of MAZ’s (Zapopan’s Art Museum) website. Annoyingly flashy (two unlinked image (!) pop-ups welcome you), splashy, pointlessly animated, marketese driven, almost content-free (any drop of content that somehow escaped their stringent tests presented an uncopiable word at a time), unlinkable (!), unbackable… stupid. A case study of the atrocities possible (and oh so common) with Flash.

On Sharing 2
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Oct
14

I kept this pile of sketches in an envelope in a file cabinet and came across them while moving. I decided to reproduce the series here in this homemade book for several reasons. One, why not? The drawings were lonely and bored, and doing little good stuffed in darkness and kept from view. They are inconsequential doodles, but I’ve learned late in life that whatever marginal value they have can only be gathered by being shared. Two, the exercise of drawing photos is a good one to try and to disseminate. And Three, maybe others in the audience can tell me what these images mean. What don’t I see? Four, and most importantly, I really enjoyed these and maybe others would enjoy seeing them too. I hope so.

Kevin Kelly, Bad Dreams [PDF 6.5MB]
(↑ One of Kelly’s sketches ↑)

Rondam 2
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6
Oct
05

As far as blog-intros go, Rondam Ramblings’s is one of my favorites—both because I happen to agree with much of it (and thus, of course, think highly of such a sound writer) and because it honors the blog’s name from digressive paragraph 1. Here four clips:

From the better late than never department…

I have finally gotten around to creating a blog. Where to begin? I bounce back and forth between feeling like I have so much to say, and feeling like everything worth saying has been said a million times already.

The central tenet of science in which I choose to place my faith is that experiment is the ultimate arbiter of truth. Any idea that is not consistent with experimental evidence must be wrong.

There are two important limitations to science: it doesn’t tell us which ideas are right, only which ones are wrong. Therefore all knowledge is tentative, all ideas subject to being overturned at any time by new experimental evidence. And it is limited in scope. It applies only to ideas that are testable by experiment. So it can provide no guidance on the question of, say, whether modern art is or isn’t art..

There is a third problem, which is that many different ideas are consistent with our current suite of experimental data. To choose among them I choose to believe in Occam’s razor: all else being equal, a simple idea is more likely to be true than a complicated one. This principle is strictly subservient to the first principle. If experiment rules out all the simple ideas, then the remaining complicated idea must be true. But if experiment is silent, then simpler ideas are preferable to complicated ones.

It is actually very easy to “do experiments” that validate the scientific worldview because we are absolutely surrounded by technology. In fact, it is barely possible to exist in this world without doing so dozens of times a day. Every time we turn on a light switch or start a car or use a computer we personally experience the validity of a huge number of scientific claims. No technology has ever been created by prayer.

Very few people really take seriously the idea that morals come from God. Many people think they take it seriously, but I think they are lying to themselves. To see this, ask yourself: if God said that raping children was OK, would that make it OK? Only the most radical fundamentalist would answer yes. Most people get quite upset if you actually ask them this question because it forces to confront the cognitive dissonance between what they think they believe—that morals come from God—and what they actually believe—that they “just know” what is right and wrong, like that raping children is wrong, even if God says otherwise.

Star
IIBB: Limpiaparabrisas 2
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6
Sep
19

Tiempo de lluvias. Estas en tu camioneta, aburrido, esperando que toque verde, cuando un hombre en un overol rojo brillante con el logo de MerkabastosELZR y una clara leyenda de “servicio de cortesia” se acerca: “Buenas tardes, me permitiria limpiarle su parabrisas? Cortesia de Merkabastos.” Asientes sorprendido y el hombre sonrie, planta enfrente de tu camioneta un tripie que no habias percatado y que sostiene un letrero mediano anunciando que esta noche es la venta nocturna de Merkabastos, con papas y nabos a mitad de precio—y procede a limpiar tu parabrisas religiosamente. El vidrio queda impecable, tu apurado procuras unas monedas y se las ofreces al hombre pero este sonrie: “Gracias, pero este servicio es cortesia de Merkabastos. Que pase usted una buena tarde” te responde—y se marcha.

Esto me vino a la mente esta tarde, en el cruce de Periferico y Tutelar cuando un limpiaparabrisas se me echo encima a pesar de mi clara y categorica renuencia. Cuando termino no le di nada, lo ignore de la misma estudiada forma en la que el me ignoro cuando le gesticulaba que no, que no queria que limpiara mi parabrisas, pero despues me senti algo mas mal que de costumbre al darme cuenta que habia hecho un trabajo inusualmente bueno y mi parabrisas eran unos ojos recien llorados. Me molesto que algo que podia ser un servicio agradable decayera en algo a rehuir y al buscar una forma de evitar ese empobrecimiento se me ocurrio esta excentricidad mercadotecnica. Quien sabe, se antoja raro pero interesante. No seria memorable que por una vez en vez de solo robar tu atencion hicieran algo por ti?

What is media, what is literacy, and other Rushkoff ramblings 2
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6
Sep
16

People, cultures, and institutions create, share, and influence each other’s values; media is the landscape where this interaction takes place; literacy is the ability to participate consciously in it.

Paraphrased from the introductory remarks to
Peter Durand’s mindmap of Douglas Ruskoff’s classic
Renaissance Prospects talk (rap) at Pop Tech 2004:

..what we have to do first then is understand the nature of stories and why we tend to believe them, why we mistake our stories and our myths for fact, and that’s going to be the beginning of how we can dissemble them. The moment that I got this, was, I guess I was a freshman in college when the third, and probably still worst of the Star Wars movies came out, Return of the Jedi. Luke and Hans get captured by those little teddy bear creatures, the Ewoks, on the moon of Endor, do you remember this? And the Ewoks are having their little barbecue party or whatever they’re doing, princess Leia is allowed to be free, because she’s a girl, whatever, but Hans and Luke are tied up. Do you remember how they get out of captivity? C3PO and R2D2 tell the Ewoks a story. C3PO speaks perfect Ewok, and he’s all golden, they think he’s a god. He starts telling the great story of the wonderful rebels, Luke and Hans, and how they’re fighting the imperial starship. R2D2 starts projecting holographic images of this battles, and you see the little Ewok eyes going back and forth, going “Oh my god!” They’ve never seen holographic technology, they’ve never heard a story told this well. The story so wins them over that these Ewoks not only release Hans and Luke, but they fight a war on their behalf. They fight a war against those big robot things. In which Ewoks die. What I thought at this moment—as an emerging little media theorist—was: what would have happened if Darth Vader had gotten down to that moon first and told his story, with his special effects? They’d have fought for him, I promise you! They’d have fought for him.

...and the style of narrative changed too, we started to get shows like The Simpsons, which were no longer this [the traditional crisis, climax, sleep narrative]; we didn’t care of Homer, what, is he’s gonna live or not, is he gonna lose his job or not. No, now what we’re doing in this big chaotic fractal-like media-space where we’re all talking and exchanging ideas with each other, giving away software to each other, now it’s about making connections. It’s about finding patterns in this media space. When you watch The Simpsons, the reward is not the cookie that you get for making it through the story, the reward is making an association. Oh, here they’re satiring Alfred Hitchcock. Oh, this is a satire of that commercial. Here’s, that’s… Connections, connections and openings, connections and openings. It’s no longer a beginninzg, middle, and end: it’s a series of connections.

17% of Americans believe the world will end in their lifetime and only 23% believe in evolution. Why? Evolution gives you a way out, evolution gives you an alternative to this. Rather than the preordained story, we can write another one, we can change, we can evolve, something else can emerge. The frightening thing about having an emerging narrative is that it means there’s no pre-existing story. It means maybe we weren’t put here with meaning at all. Maybe there was no intent. Maybe meaning is something that we do. Maybe meaning is something that we make, not a pre-existing condition. That meaning is made. But how? Through collaboration. Ain’t gonna get no meaning alone, it can’t be done alone in a series of consumer choices. We’ve tried that one. If you could do it that way, would we be doing this conference? No. You can’t. You only get meaning by connecting with other people. Through the discovery of connections and interrelationships.

Question: Something that resonated with me was a comment you made about [how] we need to develop a new kind of story through collective ownership and collective authorship, and there’ve been a lot of news stories that have come through various different individuals. The example was given from the X-Files that the authorship was taken over by a collective of individuals. My question would be, where do you see that threshold point where it’s taken from an individual and moved into the collective?..

The bane of my existence this question, for a long time. Because the main thing I’m studying these days is narrative: why do we construct narratives on reality? why do we need narratives? and then, how can we develop new narrative structures? I think some of you got this novel I wrote called Exit StrategyAM, and the challenge with that was I wanted to create some kind of an open-source collective experience, but I didn’t want to have the situation were if you’re letting a whole group of people write Star Trek with you, one kid kills Spock on the second page, and then you’re dead. So far I’ve found that the easiest way to do collective narrative experiments is to let the collective recontextualize the story.. the Talmudic process really.. There has to be a certain amount of agreement at the beginning: we’re going to play with this myth, we’re going to play with this story.

Citations in Imagery 2
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6
Sep
05

This (anonymous) feedback on Imagery just came on Saturday.

If your searches could also generate the academic citations for the images, that would be ultracool for those of us out in education-land trying to teach kids that they do not “own ” the internet without at least giving credit. I know some blog tools do this (David Warlick’s blog does it).
A person who teaches teachers
and sends them to cool places like this.

Some sort of auto-citation of images is a fantastic idea (as anyone who uses EverNote or Google Notebook will know firsthand) and my gratitude goes to whoever sent it to me, I’d never have thought of it myself. And yet, for a while I almost decided to willfully not implement it:

I strongly disagree with the way citations are usually handled within “education-land”: little more than curtsies one must mindlessly perform to pay respect to others’ property (and it is against such moralistic establishment that I am one of those kids who believes he owns the internet). Citation styles are taught and required simply as one more formal hoop for students to jump.

But citations can be much more than that! They allow readers to recover and rewalk the path the writer followed, and in that they perform an invaluable service to readers, but they can also be immensely profitable for writers too, starting with forcing them to walk paths in the first place (one is so loathe to do the slightest of researches when in the thrall (or duty) of writing, so very prone to simply rearrange one’s prejudices and call it even). Citations make for more rigorous reading and writingthat’s why we should encourage them (not simply because they make, arguably, good fences).

So yes, I thought I saw some of that ownership-based, rote teaching of citations (copyright-instruction) in that email—in a scared flash of exaggeration I glimpsed a DRM image-search engine—and my recoil reaction was so surprisingly strong I thought of deliberately not implementing any sort of auto-quotation. Lawrence Lessig has talked already on the power technology’s architecture has to regulate conduct and the weight of such responsibility was suddenly overwhelming.

Careful thought has shown me the error of my ways. My overreaction to such friendly (and helpful) feedback was not called for. An auto-citation feature in Domburi would be very helpful indeed and will be implemented. But it’ll be tinged with my prejudices and that means it will be open-ended.

Oh Arachne! 2
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6
Aug
24

I used to dig Greek mythology as a pimpleless child and one of the myths I recall more vividly is the one of ArachneWP—I still remember my childish confusion and anger at the Greeks’ twisted moral sense.