“media”
37 posts under this tag.
I’ll be the first to acknowledge its silliness but who cares, I’m just wowed. I finally downloaded the entire 50GB 6-seasons 127-episode Gilmore GirlsWP series. Frankly, when I begun this I was not (yet) a gilmore-zealot, my point in downloading it was rather to test the limits of my current technology—and, of course, to smugly marvel at how much these limits have receded. I remember when 5mb made for a humongous download. It was something akin to those news one often hears about some university or other breaking some telecommunication’s limit or other (Gazillion Number of Terabytes Per Second Achieved at Gung Ho University). I was merely exploring the digital frontier of the amateurishly possible.
But that was then. I only just watched the first season (~20 hours) with my sisters and loved it. I’m a fan. The “intricate, extremely fast-paced dialogue, with numerous modern pop culture references, along with many other references to politics and high culture.”WP was the initial hook for me but the more I immersed myself into the series the more I was surprised. The show is really girly, really, really different to me, to my everyday experience, to what I’ve lived. And yet I really like it. I think I would be one happy girl (or daughter or mom)—and it’s starting to rub off on me. I’m starting to talk fast and witty (that was a joke), empathy has gone thru the roof, I understand so much more why my mother acts like she does sometimes, Rory has rekindled my geek, bookworm, naive-I-want-to-learn-everything pride, and last night I caught myself speaking like Lorelai. It’s a shame isn’t it? Life’s so short and we’re so fixed in our roles.
And this train of thought has led me to ponder just to what extent we (as in we) are social constructions. It’s a cliche that Shakespeare invented the modern introspecting human and I recently read some lines
Salvo los más instintivos, todos nuestros goces son aprendidos, es decir: imitados. Copiamos nuestros placeres, añadiéndoles apenas un toquecito personal (lo que suele llamarse «perversiones», el único estrechísimo y culpabilizador margen de originalidad de que somos capaces). La Rochefoucauld aseguró demoledoramente que nadie se enamoraría si no hubiese oído hablar del amor. Aún menos nadie escribiría, pintaría o compondría música si careciese de los indispensables modelos jubilosos.
Fernando Savater, Mira por Donde
that, bizarre though they felt at the moment, are looking truer with every minute. I wonder, to the chagrin of some feminists I know, up to what extent is gender a social construction?
You can laugh (and I do), but I feel much more feminine and talkative since I watched GGs, and years of Friends have deeply influenced who I am and how I want to live, and I just read about this guy who thinks that Seinfield has simply made him a funnier person. Maybe, and this is a big maybe, one part of the holding power of TV in particular, and fiction in general, is that it allows us some degree of flexibility in choosing what constructions we want our selves to be molded with. Granted, usually we simply reinforce our worn ways, but at times, like this one, there are nice surprises.
Lorelai: Come on!
Rory: Wait. Come on where?
L: Inside.
R: We can’t go inside.
L: Why? Is there a force field or something around the place?
R: This is Harvard.
L: I know.
R: This. Is. Haaarvard.
L: I. Knooow.
R: You can’t just go inside. You need a guide.
L: I’ll be your guide.
R: What do you know about Harvard?
L: I know this: Look. There is Harvard.
R: Mooom…
L: Hey, don’t you want to see it? Huh? The place where you be living and studying and developing very naive but pretentious worldviews that will come crashing down the minute you graduate.
R: Yeah, I do…
Gilmore Girls, The Road Trip to Harvard
Out of college but still smack in the very-naive-but-pretentious-worldviews phase.
¿A quién se le ocurre ofrendar su vida en defensa de ¡Napoleón Gómez Urrutia!?, ¿quién decide resolver un problema a base del uso de la fuerza y actúa en consecuencia y lejos de resolver tal problema, lo complica infinitamente?, ¿cómo es que en Acapulco aparecen dos policías degollados y con un letrero que dice “Para que aprendan”?, ¿qué ocurre en el Edomex con Enrique Peña Nieto y su circo de Fiscales que aparecen y desaparecen?, ¿cómo toleramos que el tontísimo y cínico Mario Marín siga siendo, para vergüenza de todos, el Gobernador Constitucional de Puebla?, ¿por qué el Presidente de México ha prácticamente abdicado de su cargo para convertirse en un propagandista más bien mediocre de Felipe Calderón?, ¿por qué AMLO no se presenta a plantear sus ideas de gobierno y cotejarlas con las de sus opositores?, ¿por qué Jesús Ortega se compromete, se descompromete, piensa muy bien lo que va a decir y dice puras estupideces que a Josefina Vázquez Mota le sirven para darle vuelta y media al pesadito de Ortega sin siquiera despeinarse?, ¿por qué desde la perspectiva de los políticos el hecho de poner o no poner una silla vacía se convierte en prioridad nacional?
La Gaceta del Charro, Lunes 24 de Abril del 2006, Germán Dehesa.
Siempre me ha gustado su estilo pero no suelo leer mucho a Germán Dehesa. Ayer que lo hice me sorprendi. La Gaceta del Charro, su columna en Mural, es tan evidentemente un blog! Es cierto que toda columna periodistica es, bien vista, nada mas que un blog atrapado en el papel pero la de Dehesa es cosa aparte. Irrepresiblemente personal y opinionated, plagada de in-jokes y referencias personales, es un filtro de temas muy diversos, como todo buen blog, pero el hilo conductor de todos ellos es siempre visible: Dehesa mismo.
Me pregunto porque no se lanza Dehesa a tener un blog en forma de una buena vez (si, se de La Plaza del Angel, pero eso es mas bien un triste espectaculo de la web pre-blogs).
I’ve been pretty uncomfortable these days with this blog.
“I remember James Agee who worked in the obituaries at Time magazine for many years said that for a young writer it was always useful to work within the limitation of a form to feel the cage. To feel the burden of that; that I have to be a writer within this formality. “
Transcript of a conversation with Richard Rodriguez
I understand that and yet I want a change of cage. It may be foolish, but so what? It may not. I want something more à la Gelernter’s information beams. I want my blog to be a stream-of-consciousness. The textstream to the right of this blog has been one of my favorite and most active sections lately but I’m sure most simply miss it. It feels odd there, buried at the side, violating some deep semantic principle, overcrowding the already overcrowded sidebar.
I much prefer Kottke’s elegant solution to it: remaindered links. I envision a page with only two vertical sections: the right a weird, tagged aggregator of posts, text scraps, links, and photos, the left the commentstream.
These days, even pigeons have blogs. They provide them with electronic recording equipment and their output is automatically fed into a blog. —Wait! Pause for a minute to wonder how profoundly weird that is. Done? Go!— In a way I’m like that, sometimes I’m but a text pigeon, reporting what I find amid the words. And I’m proud of that.
Y es que quiero que mi pensamiento deje estelas. Poe’s Murder in the Rue Morgue comes to mind:
Es un deber basico de toda generacion introducir a la generacion siguiente a los logros mas destacados del pasado. Me molesto mucho pues que nadie—ni un primo, ni un tio—me haya dicho lo realmente genial que es Mecano. Habia oido, claro, clasicos que por alguna razon se cuelan en toda polvorienta coleccion de mp3s—Hijo de la Luna o Mujer contra Mujer, por ejemplo—y me gustaban pero hasta ahi. No me toco su periodo de fama y todo podria haber quedado en eso sino es que Martha me avisa un dia que tenia que escuchar la de Stereosexual. Me gusto muchisimo y, emocionado, baje toda su discografia. Que sorpresa oir canciones tan magnificas y originales como Cruz de Navajas, Aire o El Cine—entre lo mejor que he escuchado jamas. Tienen aparte muchisimas otras canciones destacables; bajenlas (su discografia de una vez), escuchenlas y lean sus letras—lo ameritan. Aqui va una muestra:
Sorry for the boosterism… blame that little techno-evangelist we all carry around inside.
Anyway, it’s interesting to put a face on those words I read so often. If you have a blog, leave a comment with a link to your pic and your blog’s address, and I’ll put it up here. Same for your favorite blog, leave a comment with a link to a pic of the author and the blog’s address, and I’ll put it up here.
In which to much rejoicing of the masses, the one true catch-metaphor for blogs is finally unveiled.
Last time a friend asked me what a blog was, I blabbered and gesticulated madly for a long while, only to cap it off, desperate, with the safe “they’re online diaries”. As it often happens, I ended up saying exactly the opposite of what I believe. I don’t think blogs are mere online diaries. Those are a sub-genre, to be sure, but blogs are much more, and it is misleading, stifling, and plain false, to have that as their only metaphor (isn’t it overstretching to call this very blog post you’re now reading a journal entry?).
So that no one finds himself forced to betray his better knowledge again, I’ve tried to find a metaphor that outcharms the prevailing one—one that’s true and yet as simple and catchy. I think I’ve found it: Blogs are open letters.
Blogs are open letters. Compilations of written communications addressed to whoever may want to read them1. The title of a blog post, the letter, is in fact its address, crafted to route the epistle to its many recipients (though of course Google, the post master, uses far more clever ways to deliver it). A good dose of current happenings goes in these letters, of course, but there’s much, much else: recommendations, reviews, analysis, reflections, advice, criticism, self-promotion, narrative, essays, rants, howtos, explanations, interpretations, confessions, j’accuses, press releases, calumnies, lies, exaggerations, gossip, sobs—anything that would go on a letter.
So now you know. Blogs are open letters. Spread the word (or challenge it in the comments).
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