“local”
74 posts under this tag.
As I said, today I’m happy and since my father isn’t coming to dinner (he has some appointment) and I’m home alone, I’m off to give myself a treat. I’ll go buy the previous-week Economist, which looks to be quite something (Inequality and The American Dream is the cover article, and the edition’s suvey is on logistics—need I say more?) and read it under a tree somewhere after eating Hindu rice at this very nice restaurant on Lopez Cotilla.
Next day update: Dinner was great, not so much for the rice (Biryani Hyderabad), which was a bit too spicy for my taste, but because I got to some interesting talking with the restauratrice, who gave me some very useful advice on my Honda: I could get almost free service checkups at Centro Magno’s agency, and they actually give free tours of the Honda plant here in Guadalajra (where they supposedly build a car in under two hours). I’m baffled at the incredible amount of local knowledge available if one will only listen.
They didn’t have the previous-week Economist at Galerias’ Sanborns so I had to settle with the previous-previous-week one, to which I gladly agreed once I realized it contained the 26-page technology quarterly. I gobbled up some it at the restaurant and then the rest up until late at night at Minerva’s Starbucks (it was too rainy outside for a tree and anyway, outdoors are heavily overrated). It was a wonderful edition—I was laughing so hard at times I got quite a few surprised looks. It felt like talking with a very witty, very sharp ole friend. And I found out two important things: I’d much rather read the day away than go watch a movie (and they cost about the same) and The Economist is far and away my favorite magazine.
Through the ‘60s and ‘70s and ‘80s, recognition of the cataclysm spread. Perhaps it was the science-fiction writers who felt the first concrete impact. After all, the “hard” science-fiction writers are the ones who try to write specific stories about all that technology may do for us. More and more, these writers felt an opaque wall across the future. Once, they could put such fantasies millions of years in the future. Now they saw that their most diligent extrapolations resulted in the unknowable… soon..
But as time passes, we should see more symptoms. The dilemma felt by science fiction writers will be perceived in other creative endeavors. (I have heard thoughtful comic book writers worry about how to have spectacular effects when everything visible can be produced by the technologically commonplace.) We will see automation replacing higher and higher level jobs. We have tools right now (symbolic math programs, cad/cam) that release us from most low-level drudgery. Or put another way: The work that is truly productive is the domain of a steadily smaller and more elite fraction of humanity. In the coming of the Singularity, we are seeing the predictions of true technological unemployment finally come true.
My grandfather, Luis, is going to be 84 tomorrow (today, actually) and the whole family is hectic preparing him a humongous birthday. We, my sisters and I, are in charge of the digital accouterments and since I’d been wanting to create a photo mosaic for a while, I decided to give it a try today. What ensued baffled me.
I googled photo mosaic and went to the very first result, a 2004 engadget tutorial. The tutorial was very clear and to the point, and I donwloaded the freeware featured in it: AndreaMosaic. The thing was simple, unpretentious and surprisingly intuitive. Some minutes later I was off churning mosaics away and trying the different configurations.
It still took me the better part of the day to finish (with zam distractions) and get the thing 1.27×140m printed but, come on, I even feel ashamed of how little work I actually did. I’m going to be the one with the most impressive, flashy thing in the party and all the time I’ll just be thinking how disproportionate was my effort to the result.
Think about it for a second, a clueless guy in the middle of Mexico is able to churn out in a couple of hours (for something like 50 bucks) a graphical confection that would have floored anyone 50 years ago, that would have been nigh priceless a 100 years ago, and that would have gotten him burned at the stake earlier than that.
I’m unsettled and, frankly, the fact that it isn’t unsettling to anyone else is all the more disturbing to me (because that only hints at how fast this thing I did has already become obsolete). We’re smack in the middle of an art singularity of sorts.
A tiny example of context wealth creation.
A couple of months ago a prim little supermarket called Merkabastos opened 2 minutes away from my house. The store has been deservedly a hit around the neighborhood and now it battles with the oh-so-common problem of finding parking space for its customers.
Enter a pretty much vacant lot right across the street. Thru the years I’d seen it remain unused until some years ago it began to store construction machinery, and some years later they put a billboard on it (whose first customer, I might add, was the table dance on the other side of the beltway).
Anyway, what was bound to happen, happened: the Merkabastos management are renting the place as a parking lot for their customers and I find it amusing to think that the owner of the lot didn’t need to lift a finger to start earning a rent for her barren property.
Local Red Cross ads1 (there are several versions of’em) are really good this year:
They make me think of Eliezer Yudkowsky’s sad, true words: “Death hurt us, so we will unmake Death. Let that be the outlet for our anger, which is terrible and just.”
1 Their website’s flashy welcome is, alas, hideous.
This Thursday I went to my first Stereo Total concert and it was great.
Stereo Total —“yéyétronic, electropunky, kitsch & speed, sissilistening, bricolopop, Berliner juke-box”— is coming to Guadalajara! Yey! I still can’t forgive myself for not going to their now legendary 2003 concert (so long ago already?). In my defense, that concert (or more precisely, the notice thereof) was the first time I’d heard of them and it took me several weeks before I started to really dig them:
Ex fan de sixties (“Ex-fan des sixties, / Où sont tes années folles? / Que sont devenues toutes tes idoles?”), Babystrich (“Am Bahnhof Zoo hängt ein Riesenplakat: ‘Ego, Berlins größte Diskothek’”), Tokyo Mon Amour (“Ce jour-là en été sous le soleil”), Ma Radio (“Je ne peux pas vivre sans ma radio /
Mon transistor j’adore”), Schoen Von Hinten (“Geh, es ist vorbei / Goodbye!”), Heaven’s In The Back Seat Of My Cadillac (“Makin’ love, makin’ love to you / Is a beautiful thing to do”), L’amour à 3 (“Je sais c’est démodé / ça fait hippie complet / mais je le crie sur les toîts / j’aime l’amour à 3”), Kleptomane (“Je pique c’est un tic / j’adore ça, ça m’excite”).
The concert will be part of some sort of France-Mexico musical festival, Mundo Latino. Date: this Thursday, May 4. Time: somewhat confusing, all one knows is that it’s somewhat after 8PM. Place: ”Terreno localizado en López Mateos, entre Plaza del Ángel y Plaza del Sol”. Price: $150 or $350. Be there. And if you are, say hi.
¿A quién se le ocurre ofrendar su vida en defensa de ¡Napoleón Gómez Urrutia!?, ¿quién decide resolver un problema a base del uso de la fuerza y actúa en consecuencia y lejos de resolver tal problema, lo complica infinitamente?, ¿cómo es que en Acapulco aparecen dos policías degollados y con un letrero que dice “Para que aprendan”?, ¿qué ocurre en el Edomex con Enrique Peña Nieto y su circo de Fiscales que aparecen y desaparecen?, ¿cómo toleramos que el tontísimo y cínico Mario Marín siga siendo, para vergüenza de todos, el Gobernador Constitucional de Puebla?, ¿por qué el Presidente de México ha prácticamente abdicado de su cargo para convertirse en un propagandista más bien mediocre de Felipe Calderón?, ¿por qué AMLO no se presenta a plantear sus ideas de gobierno y cotejarlas con las de sus opositores?, ¿por qué Jesús Ortega se compromete, se descompromete, piensa muy bien lo que va a decir y dice puras estupideces que a Josefina Vázquez Mota le sirven para darle vuelta y media al pesadito de Ortega sin siquiera despeinarse?, ¿por qué desde la perspectiva de los políticos el hecho de poner o no poner una silla vacía se convierte en prioridad nacional?
La Gaceta del Charro, Lunes 24 de Abril del 2006, Germán Dehesa.
Siempre me ha gustado su estilo pero no suelo leer mucho a Germán Dehesa. Ayer que lo hice me sorprendi. La Gaceta del Charro, su columna en Mural, es tan evidentemente un blog! Es cierto que toda columna periodistica es, bien vista, nada mas que un blog atrapado en el papel pero la de Dehesa es cosa aparte. Irrepresiblemente personal y opinionated, plagada de in-jokes y referencias personales, es un filtro de temas muy diversos, como todo buen blog, pero el hilo conductor de todos ellos es siempre visible: Dehesa mismo.
Me pregunto porque no se lanza Dehesa a tener un blog en forma de una buena vez (si, se de La Plaza del Angel, pero eso es mas bien un triste espectaculo de la web pre-blogs).
...but I’m not. Let’s walk the biosphere while we still have it. I hear they’re gonna read Borges out loud tomorrow in the park. Yey!
Hot, frothy, cocoa and crusty birote (which is a Mexican bread that, in Guadalajara and in my lonely opinion, tastes a lot like a Manhattan plain bagel).
Nothing is meant with the title, it’s but a wonderful saying.
Warm beer, cold women. Black coffee, sweet cajeta.
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