“lists”

I read this in a great post, 15 Things Kurt Vonnegut Said Better Than Anyone Else Ever Has Or Will, soon after he^WP died—which was, personally, surprisingly sad—SlaughterHouse 5^{WP, AM} has got to be among the best books I’ve read. Anyway, I’m still fascinated by the phrase and particularly by the interpretation offered there (which seems obvious and inevitable now, but you never know so maybe you—virgin you—may want to make your own unadulterated meaning before reading the following):

So the songpiece has lived inside me since and served as an interesting flashlight^ELZR. Hope it’s useful to you too.

Oh, and here’s an interesting elaboration on it, from, of all places, a Grey’s Anatomy writer (yup, I’ve become such a rabid fan I gobble up the writers’ blog…shut up already):

May 10 yesterday was Mother’s day^WP here in Mexico and it was a messy affair, what with my now heart-wrenchingly weak grandfather back in our house and all the sad, crowded tension. Me, I put particular attention to the music. The undisputed classic poem for the day and inevitable tearbomb at elementary schools across the country is El brindis del bohemio (lyrics: “Sólo faltaba un brindis, el de Arturo, el del bohemio puro, de noble corazón y gran cabeza; aquel que sin ambages declaraba que sólo ambicionaba robarle inspiración a la tristeza.”), most famously declaimed by Juan Manuel Bernal. It is terribly cursi, pure schwarmerei and maudlin gesticulation, but at least it’s unabashedly so and good at it. That said, I’m glad we managed the day without it.

What surprised me yesterday was our reaction, my family’s and my cousins’, late at night and with some alcohol involved, to Denisse De Kalafe’s Señora, señora (lyrics). The song’s of course more than schmaltzy enough for the occasion but it is actually not that bad. And all of a sudden we all started singing it. We had all heard the song countless times and had been forced to learn the lyrics more than once for school recitals. It wasn’t this big emotional singing, at least not at first nor all along. It all started as some sort of joke but the song has a definite mood. And it was good to sing it.

Much less known (at least here in Mexico) is Los Churumbeles’ Cariño Verdad (lyrics), which, again, and this is perhaps inevitable, is guilty of sentimentalism, but it is all drown in some fantastic music. I didn’t even know what the song was about for a long time, always mesmerized by the tune alone.

Oh and one more song: Gloria Trevi’s^WP thankfully-breaking-the-maudlin-mood A la madre, which was actually quite an innovative, playful song back in the time.

btw, I came from the party with a cool CD Faby lent me: Rhythms del Mundo | Cuba. I had heard one of their songs thanks to Chef and it was very intriguing. The project describes itself as a “collaboration of Western artists and the Buena Vista Sound” (as if Latin America wasn’t Western) and the results are oddly arresting (Latin America appropriating the outside world!). It’s pop made salsa. It doesn’t always work wonders but it is always worth hearing. The two best tracks in my opinion are Coldplay’s Clocks and Maroon 5’s She’ll be loved. Check them out.

Y’know, I remember reading about the syndrome in Brooks’s book with a smug confidence that it would never happen to me. It did. Imagery was by many accounts a pretty cool thing, but then I tried to outdo myself with its successor, Domburi, and, many, many ineffectual months later, I must admit that I’ve only weird sketches and weirder code to show for my time.

Which doesn’t mean that I’ve given up. It means that we need a new strategy. The all-or-nothing, hail-mary, next-big-thing, under-wraps-until-perfect approach was doomed since the beginning. (I really should have known better.) So the new strategy is to get it all out. As rough and soon as possible.

I’m calling it ”Improv’d Daily!” and it is akin to beta-hood^WP—in that it indicates that the website is still under developement—but it carries the all important mantra of radical incrementalism: every single day there will be at least one new, stand-alone, non-trivial improvement for the website. It won’t be earth shattering every day but it shall always be interesting.

I’m starting the meme with this very blog, which is supposed to be my online self and yet still lags far, far behind of what I want from it. (Domburi will be up in a couple of hours. Domburi up.) This very post will be updated daily with each day’s changes starting now and I have several new goodies to kickstart the kaizen:

8/May/07

# Related Posts section added (when viewing an individual post). Posts are related the more tags they have in common and the more rare those tags are.
# List of comments (accessible from the right sidebar, at the bottom of the Recent Comments header)
# New URLs: http://elzr.com/articles/YEAR/MONTH/DAY/TITLE becomes http://elzr.com/posts/TITLE, which is shorter and sweeter. You don’t need to remember a post’s date now and, what’s more, if there’s no post found with that TITLE, Google comes automagically to the rescue.
# Left sidebar redesign: new headshot, shorter description, just email (putting my phone # up there was always a bad idea, that phone-call confirmed it), new format for the archives.
# Collapsed “for:” tags in a post’s tag list. Much clearer. Tags are also now ordered alphabetically.
# Lots of tiny improvements all over. Like the orange bar atop a single post—neat, huh?—or icons for search (a magnifying glass in the searchbox) and for favorites (a star in favorite articles).


9/May/07

# Crappy day: a minor, bureaucratic improvement to the website became a nightmare. Blog crashing on and off. Domburi will have to wait until tomorrow.


10/May/07

# Blog back!
# Section Cache!: the recent list (favorites, posts, comments), the tags list, and the archive are now cached, making the website much, much faster.
# List of all posts (accessible from the left sidebar, below the Archives header)

11/May/07

# Save to Del.icio.us, Reddit, Digg, and Stumble Upon when viewing an individual post.
# Tag Cloud!
# js-less Improv’d Daily! Ok, this may not sound like much but it’s important and cool. I use ALA’s CSS Sprites technique.

12-14/May/07

Obsessed Domburi fiddling. Sorry.

15/May/07

# Fixed broken Tag Cloud links (Thanks Aaron!)

16/May/07—20/Jun/07

Big, humongous gap—or vacations—or depression bout. Or all of them together. See chronicle on Domburi’s Improv’d Daily.

21/Jun/07

1. Old URLs redirect to URLs to keep with the migration announced May 8. http://elzr.com/articles/YEAR/MONTH/DAY/TITLE now really becomes http://elzr.com/posts/TITLE.>
2. Sidebar Redesign: new picture, new welcome copy bared down to its barest Basic English^WP essentials, new webapps added to webapp section, new, much better descriptions for most items in the sidebar.
3. Daily Improves section in the sidebar for you to keep handy track of my progress—or lack thereof.
4. Minor CSS fiddling—like a new, bigger size for small caps type (it could be hard to read at some resolutions and some platforms).
5. New 404 page, that is, a new page to aid you when you type in an address that can’t be found. Try it now with http://elzr.com/this-address-is-wrong/. Thanks Aaron!
6. 
   
   

   New title for homepage. Since the delta thing is already obscure conceit enough, I decided to convert seconds into more humane time units. 8,321,231s delta is now 96 day delta.

   Delta, btw, means something like the divergence (the difference) that has come to pass between two different times, one of which is usually the present—so when I say in this blog’s homepage title that there’s a 96 day delta I mean that I haven’t updated it in 96 days, i.e., me and my digital self have had 96 days to go our own separate ways. This wonderful sense of the word comes from Charles Stross’s Accelerando.
   
   
7. Unified search into a simple URL, http://elzr.com/search/QUERY, which currently carries a personalized Google search of elzr.com but will eventually change to Domburi. This new unified interface allowed me to finally create a YubNub command for the blog: try elzr (see its man page) at every input box that speaks YubNub.

I’m most definitely an idiot in at least Cortazar’s sense—always able to enthuse about anything and everything. Sometimes the excitement loop becomes critical and, a happygasm reached, I need simply contemplate the object of my devotions to reach instantaneous paroxysmal contentment. There are many examples of such cases in this blog (at its best moments it is merely a compilation of them) and here are the 3 most recent:

1. This glass. Seriously. It’s thick and stocky, heavy and curvy, velvety (in that strange way good glass can be) and transparent. Plus, it has an extremely low center of gravity (thanks to its glassy booty) that gives ponderous gravitas to the gassiest soda. I won’t drink in anything else. That all this heavenly goodness was less than a buck a piece (we’ve eight of’em) only adds to my marvel—a fragile monument to capitalism and division of labor. The photo makes absolutely no justice to its glistening beauty. 2. Mac OSX Tiger’s Wallpaper. The asymmetry, the restraint in means, the abstract yet natural forms—sometimes petals sometimes hyperbolas; sometimes tears in the canvas, sometimes valleys, sometimes hills—with their rolling, blue gradients, their digital, velvety textures; the tridimensional light play of twodimensional curves—a perfect background, ideally fitted to highlight whatever is atop it, to be discrete, serene and becoming, never flashy, never tiring. Because make no mistake, this is a design^ELZR, it has a purpose: to be a desktop wallpaper. And it easily trumps the cloy Bliss^WP, the over-eager photos, the dull colors, the duller patterns (ugh). As far am I concerned it is the best graphic design of the late twentieth century. 3. This quote. Such words. Some four centuries old and still as haunting.

.., one of the world’s largest and most influential private-equity^WP firms, is planning an IPO of a minority stake, “perhaps 10%.” Appraisals of the company’s total value range “from $20 billion to double that.”

It has some 750 employees.

Talk about leverage.

Maybe the insolent goal is possible after all.

I’m so set in my (fetishy) ways. Again, I feel compelled to say that I’m not on the look out for such pictures. They come my way. Though come on, maybe I should be…

The responsible for the baci saffici is the most talented Alessandro Pautasso.

Here 2 examples—a graph and a paragraph—from a typical article (about the paper industry’s dire prospects, of all things) in this week’s edition of The Economist.

Starting with the graph: it’s a 16-year window to worldwide newsprint production that drives home the article’s main point with eloquence: North America’s newsprint production (a fifth, you will notice, of the world’s; used to be a fourth) is slowly but decisively dwindling; production in the rest of the world, on the other hand, is increasing, albeit not in a hurry.

It’s full of conventions too, but they’re so well thought that you never need to be consciously aware of them as a reader: Take the upper-left red patch, a gentle way to guide your eyes to the graph’s title and instructions. The source always goes at the bottom, smaller-typed, and the y-axis is always labeled at the right, which I find more natural than the common left convention (it makes you look at the graph first, notice its pattern). The x-axis is usually the time axis, its gridlines usually obviated for clarity’s sake, and its labels, usually years, presented in a simple format that marks millennia only when needed. And graphs are always in this blue scheme—a convention to avoid color misinformation that still allows for meaningful distinctions between color shades: darker blue for the main variable under discussion, the foreground; lighter, fading blue(s) for the background variable(s).

As for the paragraph, it’s brimming with fascinating facts about the world. Did you know who the world’ biggest pulp-an-paper company was and that it was located in Tennessee (WP)—of all places? Did you know it also happened to be the largest private landowner in America? (A paper company! The largest private landowner in America!) Did you know it recently sold, because of restructuring, 90% of its forestland, 5.7m acres—an area larger than Massachusetts? Did you know it sold them for $6.6 billions? (Surprisingly cheap, considering it’s an area big enough for many a country.) Did you know most buyers were financial investors but 5% were conservation groups? (A wonderful example of how trade allocates resources, peacefully and quietly, to those who care about them.) Now you know.

With only one recently acquired cellphone (that gets some ten phone calls per month) I probably should have heeded David Pogue’s advice and skipped his NYT’s article introducing a new phone service (not available, of course, here in Mexico) that consolidates all your phone numbers into one (new) number. Geekiness prevailed and I carried on. Happily, for it is indeed a “rather brilliant melding of cellphone and the Internet.” Number consolidation is only the beginning, there are some quite intriguing (and yet so simple!) services on top and along.

Who would have thought? What with the iPhone^ELZR, Samsung’s touch-screen that mimics the feeling of pressing a mechanical button, Dodgeball, mobile phone maps, and now this, the dowdy “tele”-phone is interesting again.

A ”Jew” car plate (they’re assigned sequentially here in Guadalajara so there’ve been a lot of Jews lately):

A rather machista ad for pickups:

And, well, the bizarre machito^WP:

...one really do wonders what is the point—other than better displays—of that quaint anachronism that is the museum.

And don’t even get me started on DeviantArt.