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Beauty

67 posts under this tag.

The Web is mainstream. 2
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9
Nov
16

Similar cover articles have been common for more than a decade now.
In computer magazines.
This is a women’s fashion magazine (!).
220 sites you’ve never heard of, devoted to makeup, fashion, beauty, style..
The jocks, the cheerleaders, the geeks—we’re all webheads now.

this is how we will talk after symbols 2
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9
Jun
23

World Builder is a stunningly beautiful video.



A few years ago, I learned from Jaron Lanier about a beautiful dream he calls post-symbolic communication. It’s a dream that has stayed with me since, a powerful, subtle idea. It’s the dream that in the near future we’ll be able to talk not only through words and our voice, but through anything we can dream of. Instead of describing something with words, we would build it, as naturally as we now shrug or wag our finger. It’s about how gods might talk.

This video, so clearly a labor of love, is a marvelous embodiment of that dream. Fittingly, not a word is spoken in the entire 9 minutes.

If art is already there, perhaps we’re closer than we think.

Credit Crisis visualized 2
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9
Mar
06

This is such a great animated explanation of the credit crisis—a success in using new media in the service of clarity. It almost makes me angry of all the sweet hours I spent in the Economist, Answers, Wikipedia wrangling with finance jargon.

It’s also, interestingly, very much in the style —fast pacing, soothing, professional voice, electronic soundtrack, swooshes, a galore of icons, symbols and visual metaphors (that touch of houses as arrows was brilliant!)— of recent nonfiction (!) animations—that famous anti-trusted computing video, EPIC, The Machine...

Jonathan Jarvis is one man to watch…

Elegance & quantified selfhood 2
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9
Feb
21

For a while now, I’ve been pleasantly following Very Small Array, an information design graph-blog, but this was the first time I was really enthralled by one of its designs, FRIENDS:



It’s just so stunningly elegant, isn’t it? So skillfully made to appear casual yet imbued with obvious formal beauty, charming yet minimalist—not a word or pixel unused. Labels and graph, typography and information design, come together marvelously, painstakingly.

The thing that most grabbed me, though, was that I had just started making my own similar introspective list of my friends’ attributes, in the spirit of quantified selfhood. While I’m floored by Very Small Array’s commitment (it has been doing this for almost a decade—the chart above is just one of several great graphs and metapgraphs), my brief exercise in self knowledge has already told me two unexpected things: I have a history of liking extroverts and polyglots.

Quantity vs. Quality 2
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9
Feb
20

This rings so true it hurts.


The ceramics teacher announced on opening day that he was dividing the class into two groups. All those on the left side of the studio, he said, would be graded solely on the quantity of work they produced, all those on the right solely on its quality. His procedure was simple: on the final day of class he would bring in his bathroom scales and weigh the work of the “quantity” group: fifty pound of pots rated an “A”, forty pounds a “B”, and so on. Those being graded on “quality”, however, needed to produce only one pot -albeit a perfect one – to get an “A”. Well, came grading time and a curious fact emerged: the works of highest quality were all produced by the group being graded for quantity. It seems that while the “quantity” group was busily churning out piles of work – and learning from their mistakes – the “quality” group had sat theorizing about perfection, and in the end had little more to show for their efforts than grandiose theories and a pile of dead clay.
From Art & Fear: Observations on the Perils (and Rewards) of Artmaking by David Bayles and Ted Orland,
as quoted by Kevin Kelly

For Sergio and Gwyn--and, frankly, for future me 2
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9
Jan
25

She was stunning. A tasteful bit of a decora girl.

For Sergio and Gwyn</del>-and, frankly, for future me

Starkly, selelectively nude, mecha-chimeric, cop femme 2
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9
Jan
24

Fascinating, so much more enthralling to me than most museum art. Notice the lobsterish, demonic, shielding, bloody left arm, the snaking, perforating tubes beneath, the right mecha cat-paw, the “fingering” finger within it, the cat-fox-shaped helmet, the nipple patches (that’s one badge you’ll pay attention to), the pubic paleness, the CAUTION - SEX TAPE yellow tape. Such a great image—and it’s not every day you get to make a word like mecha-chimeric.


Via all the good things, Jaireh’s super awesome reblog of wonders.

Axe effect discovered true, sort of 2
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9
Jan
02

As a man, perfume can boost your self-confidence and your way of carrying of yourself so that  women, without needing to smell you, will find you more attractive.

Another freaky fact: you’re attracted to smells that hint of a different genetic mix to yours (and thus more evolutionary advantageous). For yourself, you tend to choose smells that more loudly proclaim your particular genetic mix.

Via The Economist.

Chimera fetish 2
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8
Sep
26

The text below was when I fell in love with China Mieville’s Perdido Street Station. I wasn’t sure for many pages, never one to care much for fantasy. But this, this is what fantasy should be.

Reading the book, as many things else, got interrupted by the exile, but I’ve been possessed downloading ebooks lately and I just found a great HTML version of the book. Let the reading recommence!

Isaac and Lin sat naked on either side of the bare wooden table. Isaac was conscious of their pose, seeing them as a third person might. It would make a beautiful, strange print, he thought. An attic room, dust-motes in the light from the small window, books and paper and paints neatly stacked by cheap wooden furniture. A dark-skinned man, big and nude and detumescing, gripping a knife and fork, unnaturally still, sitting opposite a khepri, her slight woman’s body in shadow, her chitinous head in silhouette.

They ignored their food and stared at each other for a moment. Lin signed at him: Good morning, lover. Then she began to eat, still looking at him.

It was when she ate that Lin was most alien, and their shared meals were a challenge and an affirmation.As he watched her, Isaac felt the familiar trill of emotion: disgust immediately stamped out, pride at the stamping out, guilty desire.

Light glinted in Lin’s compound eyes. Her headlegs quivered. She picked up half a tomato and gripped it with her mandibles. She lowered her hands while her inner mouthparts picked at the food her outer jaw held steady.

Isaac watched the huge iridescent scarab that was his lover’s head devour her breakfast.

He watched her swallow, saw her throat bob where the pale insectile underbelly segued smoothly into her human neck … not that she would have accepted that description. Humans have khepri bodies, legs, hands; and the heads of shaved gibbons, she had once told him.

He smiled and dangled his fried pork in front of him, curled his tongue around it, wiped his greasy fingers on the table. He smiled at her. She undulated her headlegs at him and signed, My monster.

I am a pervert, thought Isaac, and so is she.

Schismatrix Plus 2
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8
Jul
12

Have only read 3 quotes of it and it may already be one of my favorite books ;)

Tears came to him. He wept quietly, holding nothing back. He mourned mankind, and the blindness of men, who thought that the Kosmos had rules and limits that would shelter them from their own freedom. There were no shelters. There were no final purposes. Futility, and freedom, were Absolute.
There’s a universe of potential, Lindsay, think of that. No rules, no limits.
Life moves in clades. A clade is a daughter species, a related descendant. It’s happened to other successful animals, and now it’s humanity’s turn. The factions still struggle, but the categories are breaking up. No faction can claim the one true destiny for mankind. Mankind no longer exists.

Bruce Sterling, Schismatrix Plus