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| unsimulated liberty | 2 0 0 6 |
Jun 15 |
But the strongest outrage was reserved for the film’s final scene, in which Gallo’s character finally meets up with his ex-lover (Chloë Sevigny), and she performs unsimulated fellatio upon him.. Sevigny, already known for taking on controversial roles, had been a real-life girlfriend of Gallo’s. Notably, after the film’s release, the William Morris Agency dropped her as a client, claiming the scene made her unmarketable; she quickly signed with another agency and has continued her acting career despite fears to the contrary.
Wikipedia, The Brown Bunny
The quiet last line of this paragraph is a pearl of capitalist freedom that could so easily pass unnoticed, taken-for-granted. If Chloë was able to do what she did was only because she wasn’t tied to prude William Morris, one of the largest talent agencies in the world; it was only because there were other agencies more than willing to take her in.
Our freedom of choice in a competitive society rests on the fact that, if one person refuses to satisfy our wishes, we can turn to another. But if we face a monopolist we are at his mercy.
Friedrich Hayek, The Road to Serfdom
What a wonderful world to live in, isn’t it? One in which puritans can be self-righteous while we enjoy watching a purdy gal blow her ex-boyfriend.
(btw, did you notice how normal it now is to define the real in terms of the simulated?—an “unsimulated” fellatio)
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