Bloggy cage

mon17apr2006—16w107d29%— 16h01m00s—0utc

I’ve been pretty uncomfortable these days with this blog.

“I remember James Agee who worked in the obituaries at Time magazine for many years said that for a young writer it was always useful to work within the limitation of a form to feel the cage. To feel the burden of that; that I have to be a writer within this formality. "

Transcript of a conversation with Richard Rodriguez

I understand that and yet I want a change of cage. It may be foolish, but so what? It may not. I want something more à la Gelernter’s information beams. I want my blog to be a stream-of-consciousness. The textstream to the right of this blog has been one of my favorite and most active sections lately but I’m sure most simply miss it. It feels odd there, buried at the side, violating some deep semantic principle, overcrowding the already overcrowded sidebar.

I much prefer Kottke’s elegant solution to it: remaindered links. I envision a page with only two vertical sections: the right a weird, tagged aggregator of posts, text scraps, links, and photos, the left the commentstream.

These days, even pigeons have blogs. They provide them with electronic recording equipment and their output is automatically fed into a blog. — Wait! Pause for a minute to wonder how profoundly weird that is. Done? Go! — In a way I’m like that, sometimes I’m but a text pigeon, reporting what I find amid the words. And I’m proud of that.

Y es que quiero que mi pensamiento deje estelas. Poe’s Murder in the Rue Morgue comes to mind:

We were strolling one night down a long dirty street, in the vicinity of the Palais Royal. Being both, apparently, occupied with thought, neither of us had spoken a syllable for fifteen minutes at least. All at once Dupin broke forth with these words:

“He is a very little fellow, that’s true, and would do better for the Theatre des Varietes.”

“There can be no doubt of that,” I replied unwittingly, and not at first observing (so much had I been absorbed in reflection) the extraordinary manner in which the speaker had chimed in with my meditations. In an instant afterward I recollected myself, and my astonishment was profound.

“Dupin,” said I, gravely, “this is beyond my comprehension. I do not hesitate to say that I am amazed, and can scarcely credit my senses. How was it possible you should know I was thinking of — ?” Here I paused, to ascertain beyond a doubt whether he really knew of whom I thought.

— “of Chantilly,” said he, “why do you pause? You were remarking to yourself that his diminutive figure unfitted him for tragedy.”

This was precisely what had formed the subject of my reflections. Chantilly was a quondam cobbler of the Rue St. Denis, who, becoming stage-mad, had attempted the role of Xerxes, in Crebillon’s tragedy so called, and been notoriously Pasquinaded for his pains.

“Tell me, for Heaven’s sake,” I exclaimed, “the method — if method there is — by which you have been enabled to fathom my soul in this matter.” In fact I was even more startled than I would have been willing to express.

“It was the fruiterer,” replied my friend, “who brought you to the conclusion that the mender of soles was not of sufficient height for Xerxes et id genus omne.”

“The fruiterer! — you astonish me — I know no fruiterer whomsoever.”

“The man who ran up against you as we entered the street — it may have been fifteen minutes ago.”

I now remembered that, in fact, a fruiterer, carrying upon his head a large basket of apples, had nearly thrown me down, by accident, as we passed from the Rue C — into the thoroughfare where we stood; but what this had to do with Chantilly I could not possibly understand.

There was not a particle of charlatanerie about Dupin. “I will explain,” he said, “and that you may comprehend all clearly, we will explain,” he said, “and that you may comprehend all clearly, we will first retrace the course of your meditations, from the moment in which I spoke to you until that of the rencontre with the fruiterer in question. The larger links of the chain run thus — Chantilly, Orion, Dr. Nichols, Epicurus, Stereotomy, the street stones, the fruiterer.”

There are few persons who have not, at some period of their lives, amused themselves in retracing the steps by which particular conclusions of their own minds have been attained. The occupation is often full of interest; and he who attempts it for the first time is astonished by the apparently illimitable distance and incoherence between the starting-point and the goal. What, then, must have been my amazement when I heard the Frenchman speak what he had just spoken, and when I could not help acknowledging that he had spoken the truth. He continued:

“We had been talking of horses, if I remember aright, just before leaving the Rue C — . This was the last subject we discussed. As we crossed into this street, a fruiterer, with a large basket upon his head, brushing quickly past us, thrust you upon a pile of paving-stones collected at a spot where the causeway is undergoing repair. You stepped upon one of the loose fragments)) slipped, slightly strained your ankle, appeared vexed or sulky, muttered a few words, turned to look at the pile, and then proceeded in silence. I was not particularly attentive to what you did; but observation has become with me, of late, a species of necessity.

“You kept your eyes upon the ground — glancing, with a petulant expression, at the holes and ruts in the pavement, ”p">(so that I saw you were still thinking of the stones,) until we reached the little alley called Lamartine, which has been paved, by way of experiment, with the overlapping and riveted blocks. Here your countenance brightened up, and, perceiving your lips move, I could not doubt that you murmured the word ‘stereotomy,’ a term very affectedly applied to this species of pavement. I knew that you could not say to yourself ‘stereotomy’ without being brought to think of atomies, and thus of the theories of Epicurus; and since, when we discussed this subject not very long ago, I mentioned to you how singularly, yet with how little notice, the vague guesses of that noble Greek had met with confirmation in the late nebular cosmogony, I felt that you could not avoid casting your eyes upward to the great nebula in Orion, and I certainly expected that you would do so. You did look up; and I was now assured that I had correctly followed your steps. But in that bitter tirade upon Chantilly, which appeared in yesterday’s ‘Musee,’ the satirist, making some disgraceful allusions to the cobbler’s change of name upon assuming the buskin, quoted a Latin line about which we have often conversed. I mean the line

Perdidit antiquum litera prima sonum.

I had told you that this was in reference to Orion, formerly written Urion; and, from certain pungencies connected with this explanation, I was aware that you could not have forgotten it. It was clear, therefore, that you would not fall to combine the ideas of Orion and Chantilly. That you did combine them I say by the character of the smile which passed over your lips. You thought of the poor cobbler’s immolation. So far, you had been stooping in your gait; but now I saw you draw yourself up to your full height. I was then sure that you reflected upon the diminutive figure of Chantilly. At this point I interrupted your meditations to remark that as, in fact, he was a very little fellow — that Chantilly — he would do better at the Theatre des Varietes."

I want a blog, but more than that, I want a stream. It will be months before I’m able to actually implement something but the engines have started turning. Stay tuned.

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